|
1973 Ganadores y
Nominados
|
- 1973 Oscars were presented on April 2, 1974 at the Dorothy
Chandler Pavilion
- Hosts: John Huston, David Niven, Burt Reynolds, Diana
Ross
|
 |
| Oscar a la mejor película |
American Graffiti, Francis Ford Coppola, producer;
Gary Kurtz, co-producer (Universal) |
|
Cries and Whispers, Ingmar Bergman, producer
(New World Pictures) |
|
The Exorcist, William Peter Blatty, producer
(Warner Bros.) |
|
The Sting, Tony Bill, Michael Phillips and
Julia Phillips, producers (Universal) |
|
A Touch of Class, Melvin Frank, producer (Avco
Embassy) |
| Oscar al mejor actor |
Marlon Brando, Last Tango in Paris |
|
Jack Lemmon, Save the Tiger |
|
Jack Nicholson, The Last Detail |
|
Al Pacino, Serpico |
|
Robert Redford, The Sting |
| Oscar a la mejor actriz |
Ellen Burstyn, The Exorcist |
|
Glenda Jackson, A Touch of Class |
|
Marsha Mason, Cinderella Liberty |
|
Barbra Streisand, The Way We Were |
|
Joanne Woodward, Summer Wishes, Winter Dreams |
| Oscar al mejor actor de reparto |
Vincent Gardenia, Bang the Drum Slowly |
|
Jack Gilford, Save the Tiger |
|
John Houseman, The Paper Chase |
|
Jason Miller, The Exorcist |
|
Randy Quaid, The Last Detail |
| Oscar a la mejor actriz de reparto |
Linda Blair, The Exorcist |
|
Candy Clark, American Graffiti |
|
Madeline Kahn, Paper Moon |
|
Tatum O'Neal, Paper Moon |
|
Sylvia Sidney, Summer Wishes, Winter Dreams |
| Oscar al mejor director |
Ingmar Bergman, Cries and Whispers |
|
Bernardo Bertolucci, Last Tango in Paris |
|
William Friedkin, The Exorcist |
|
George Roy Hill, The Sting |
|
George Lucas, American Graffiti |
| Guión |
| Screenplay Based on Material From Another Medium |
William Peter Blatty, The Exorcist |
|
James Bridges, The Paper Chase |
|
Waldo Salt and Norman Wexler, Serpico |
|
Alvin Sargent, Paper Moon |
|
Robert Towne, The Last Detail |
| Original Screenplay |
Ingmar Bergman, Cries and Whispers |
|
Melvin Frank and Jack Rose, A Touch of Class |
|
George Lucas, Gloria Katz and Willard Huyck, American
Grafitti |
|
Steve Shagan, Save the Tiger |
|
David S. Ward, The Sting |
|
| Oscar a la mejor fotografía |
Jack Couffer, Jonathan Livingston Seagull |
|
Sven Nykvist, Cries and Whispers |
|
Owen Roizman, The Exorcist |
|
Harry Stradling, Jr., The Way We Were |
|
Robert Surtees, The Sting |
| Oscar a la mejor dirección de arte |
Henry Bumstead, Oscar a la mejor dirección de arte; James Payne, set decoration,
The Sting |
|
Stephen Grimes, Oscar a la mejor dirección de arte; William Kiernan, set
decoration, The Way We Were |
|
Philip Jefferies, Oscar a la mejor dirección de arte; Robert de Vestel, set
decoration, Tom Sawyer |
|
Bill Malley, Oscar a la mejor dirección de arte; Jerry Wunderlich, set decoration,
The Exorcist |
|
Lorenzo Mongiardino and Gianni Quaranta, Oscar a la
mejor dirección de arte;
Carmelo Patrono, set decoration, Brother Sun Sister
Moon |
| Sound |
Robert Knudson and Chris Newman, The Exorcist |
|
Donald O. Mitchell and Lawrence O. Jost, The Paper
Chase |
|
Ronald K. Pierce and Robert Bertrand, The Sting |
|
Richard Portman and Les Fresholtz, Paper Moon |
|
Richard Portman and Lawrence O. Jost, The Day of
the Dolphin |
| Music |
| Song |
�All That Love Went to Waste,� A Touch of Class,
George Barrie, music; Sammy Cahn, lyrics |
|
�Live and Let Die,� Live and Let Die, Paul
McCartney and Linda McCartney, music and lyrics |
|
�Love,� Robin Hood, George Bruns, music;
Floyd Huddleston, lyrics |
|
�Nice to Be Around,� Cinderella Liberty,
John Williams, music; Paul Williams, lyrics |
|
�The Way We Were,� The Way We Were,
Marvin Hamlisch, music; Alan and Marilyn Bergman,
lyrics |
| Original Dramatic Score |
John Cameron, A Touch of Class |
|
Georges Delerue, The Day of the Dolphin |
|
Jerry Goldsmith, Papillon |
|
Marvin Hamlisch, The Way We Were |
|
John Williams, Cinderella Liberty |
| Scoring: Original Song Score and Adaptation
or Scoring: Adaptation |
Marvin Hamlisch, The Sting |
|
Andr� Previn, Herbert Spencer and Andrew Lloyd
Webber, Jesus Christ Superstar |
|
Richard M. Sherman and Robert B. Sherman, song;
John Williams, adaptation, Tom Sawyer |
|
| Film Editing |
Verna Fields and Marcia Lucas, American Graffiti |
|
Frank P. Keller and James Galloway, Jonathan Livingston
Seagull |
|
Ralph Kemplen, The Day of the Jackal |
|
Jordan Leondopoulos, Bud Smith, Evan Lottman and Norman
Gay, The Exorcist |
|
William Reynolds, The Sting |
| Costume Design |
Donfeld, Tom Sawyer |
|
Edith Head, The Sting |
|
Dorothy Jeakins and Moss Mabry, The Way We Were |
|
Piero Tosi, Ludwig |
|
Marik Vos, Cries and Whispers |
| Short Subjects |
| Animated |
Frank Film (Frank Mouris, producer;
Frank Mouris Production) |
|
The Legend of John Henry (Nick Bosustow
and David Adams, producers; Bosustow-Pyramid Films
Production) |
|
Pulcinella (Emanuele Luzzati and Guilio
Gianini, producers; Luzzati-Gianini Production) |
| Live Action |
The Bolero (Allan Miller and William
Fertik, producers; Allan Miller Production) |
|
Clockmaker (Richard Gayer, producer; James
Street Productions) |
|
Life Times Nine (Pen Densham and John Watson,
producers; Insight Productions) |
|
| Documentales |
| Short Subject |
Background (Carmen D'Avino, producer; D'Avino
and Fucci-Stone Productions) |
|
Children at Work (Paisti Ag Obair) (Louis
Marcus, producer; Gael-Linn Films) |
|
Christo's Valley Curtain (Albert Maysles
and David Maysles, producers; Maysles Films Production) |
|
Four Stones for Kanemitsu (Terry Sanders
and June Wayne, producers; Tamarind Production) |
|
Princeton: A Search for Answers (Julian
Krainin and DeWitt L. Sage, Jr., producers; Krainin-Sage
Productions) |
| Feature |
Always a New Beginning (John D. Goodell,
producer; Goodell Motion Pictures) |
|
Battle of Berlin (Bengt von zur Muehlen,
producer; Chronos Film GmbH) |
|
The Great American Cowboy (Keith Merrill,
producer; Keith Merrill Associates-Rodeo Film Productions) |
|
Journey to the Outer Limits (Alex Grasshoff,
producer; National Geographic Society and Wolper
Productions) |
|
Walls of Fire (Gertrude Ross Marks and
Edmund F. Penney, producers; Mentor Productions) |
|
| Oscar a la mejor película extranjera |
Day for Night, France |
|
The House of Chelouche Street, Israel |
|
L'Invitation, Switzerland |
|
The Pedestrian, Federal Republic of Germany�West |
|
Turkish Delight, Netherlands |
| Irving G. Thalberg Memorial Award |
Lawrence Weingarten |
| Jean Hersholt Humanitarian Award |
Lew Wasserman |
| Honorary Awards: |
To Henri Langlois for his devotion to the art
of film, his massive contributions in preserving its past
and his unswerving faith in its future |
|
To Groucho Marx in recognition of his brilliant
creativity and for the unequalled acheivements of the
Marx Brothers in the art of motion picture comedy |
