|
1967 Ganadores y
Nominados
|
|
 |
| 1967 Oscars were held on April 10, 1968 at the Santa Monica
Civic Auditorium Host: Bob Hope
|
| Oscar a la mejor película |
Bonnie and Clyde, Warren Beatty, producer (Warner
Bros.-Seven Arts) |
|
Doctor Dolittle, Arthur P. Jacobs, producer (Twentieth
Century-Fox) |
|
The Graduate, Lawrence Turman, producer (Embassy
Pictures) |
|
Guess Who's Coming to Dinner?, Stanley Kramer,
producer (Columbia) |
|
In the Heat of the Night, Walter Mirisch,
producer (United Artists) |
| Oscar al mejor actor |
Warren Beatty, Bonnie and Clyde |
|
Dustin Hoffman, The Graduate |
|
Paul Newman, Cool Hand Luke |
|
Rod Steiger, In the Heat of the Night |
|
Spencer Tracy, Guess Who's Coming to Dinner? |
| Oscar a la mejor actriz |
Anne Bancroft, The Graduate |
|
Faye Dunaway, Bonnie and Clyde |
|
Dame Edith Evans, The Whisperers |
|
Audrey Hepburn, Wait Until Dark |
|
Katharine Hepburn, Guess Who's Coming to Dinner? |
| Oscar al mejor actor de reparto |
John Cassavetes, The Dirty Dozen |
|
Gene Hackman, Bonnie and Clyde |
|
Cecil Kellaway, Guess Who's Coming to Dinner? |
|
George Kennedy, Cool Hand Luke |
|
Michael J. Pollard, Bonnie and Clyde |
| Oscar a la mejor actriz de reparto |
Carol Channing, Thoroughly Modern Millie |
|
Mildred Natwick, Barefoot in the Park |
|
Estelle Parsons, Bonnie and Clyde |
|
Beah Richards, Guess Who's Coming to Dinner? |
|
Katharine Ross, The Graduate |
| Oscar al mejor director |
Richard Brooks, In Cold Blood |
|
Norman Jewison, In the Heat of the Night |
|
Stanley Kramer, Guess Who's Coming to Dinner? |
|
Mike Nichols, The Graduate |
|
Arthur Penn, Bonnie and Clyde |
| Guión |
| Screenplay Based on Material From Another Medium |
Richard Brooks, In Cold Blood |
|
Donn Pearce and Frank R. Pierson, Cool Hand
Luke |
|
Stirling Silliphant, In the Heat of the
Night |
|
Joseph Strick and Fred Haines, Ulysses |
|
Calder Willingham and Buck Henry, The Graduate |
| Story and Screenplay Written Directly for the
Screen |
Robert Kaufman, story; Norman Lear, screenplay,
Divorce American Style |
|
David Newman and Robert Benton, Bonnie and
Clyde |
|
Frederic Raphael, Two for the Road |
|
William Rose, Guess Who's Coming to Dinner? |
|
Jorge Semprun, La Guerre Est Finie |
|
| Oscar a la mejor fotografía |
Burnett Guffey, Bonnie and Clyde |
|
Conrad Hall, In Cold Blood |
|
Richard H. Kline, Camelot |
|
Robert Surtees, Doctor Dolittle |
|
Robert Surtees, The Graduate |
| Oscar a la mejor dirección de arte |
Mario Chiari, Jack Martin Smith and Ed Graves, Oscar a
la mejor dirección de arte;
Walter M. Scott and Stuart A. Reiss, set decoration, Doctor
Dolittle |
|
Robert Clatworthy, Oscar a la mejor dirección de arte; Frank Tuttle, set
decoration, Guess Who's Coming to Dinner? |
|
Alexander Golitzen and George C. Webb, Oscar a la
mejor dirección de arte;
Howard Bristol, set decoration, Thoroughly Modern Millie |
|
Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe
Mariani, Oscar a la mejor dirección de arte; Dario Simoni and Luigi Gervasi,
set decoration, The Taming of the Shrew |
|
John Truscott and Edward Carrere, Oscar a la mejor
dirección de arte;
John W. Brown, set decoration, Camelot |
| Sound |
MGM Studio Sound Dept., The Dirty Dozen |
|
Samuel Goldwyn Studio Sound Dept., In the Heat
of the Night |
|
Twentieth Century-Fox Studio Sound Dept., Doctor
Dolittle |
|
Universal City Studio Sound Dept., Thoroughly Modern
Millie |
|
Warner Bros.-Seven Arts Studio Sound Dept., Camelot |
| Music |
| Song |
�The Bare Necessities,� The Jungle Book,
Terry Gilkyson, music and lyrics |
|
�The Eyes of Love,� Banning, Quincy Jones,
music; Bob Russell, lyrics |
|
�The Look of Love,� Casino Royale, Burt
Bacharach, music; Hal David, lyrics |
|
�Talk to the Animals,� Doctor Dolittle,
Leslie Bricusse, music and lyrics |
|
�Thoroughly Modern Millie,� Thoroughly Modern
Millie, James Van Heusen and Sammy Cahn, music
and lyrics |
| Original Music Score |
Richard Rodney Bennett, Far From the Madding
Crowd |
|
Elmer Bernstein, Thoroughly Modern Millie |
|
Leslie Bricusse, Doctor Dolittle |
|
Quincy Jones, In Cold Blood |
|
Lalo Schifrin, Cool Hand Luke |
| Scoring of Music, Adaptation or Treatment |
DeVol, Guess Who's Coming to Dinner? |
|
Alfred Newman and Ken Darby, Camelot |
|
Lionel Newman and Alexander Courage, Doctor
Dolittle |
|
Andr� Previn and Joseph Gershenson, Thoroughly
Modern Millie |
|
John Williams, Valley of the Dolls |
|
| Film Editing |
Hal Ashby, In the Heat of the Night |
|
Samuel E. Beetley and Marjorie Fowler, Doctor Dolittle |
|
Robert C. Jones, Guess Who's Coming to Dinner? |
|
Frank P. Keller, Beach Red |
|
Michael Luciano, The Dirty Dozen |
| Costume Design |
Jean Louis, Thoroughly Modern Millie |
|
Irene Sharaff and Danilo Donati, The Taming of the
Shrew |
|
Bill Thomas, The Happiest Millionaire |
|
John Truscott, Camelot |
|
Theadora Van Runkle, Bonnie and Clyde |
| Special Visual Effects |
L. B. Abbott, Doctor Dolittle |
|
Howard A. Anderson, Jr. and Albert Whitlock, Tobruk |
| Sound Effects |
John Poyner, The Dirty Dozen |
|
James A. Richard, In the Heat of the Night |
| Short Subjects |
| Cartoon |
The Box (Murakami-Wolf Films; Brandon
Films) |
|
Hypothese Beta (Films Orzeaux; Path� Contemporary
Films) |
|
What on Earth! (National Film Board of
Canada; Columbia) |
| Live Action |
Paddle to the Sea (National Film Board
of Canada; Favorite Films of California) |
|
A Place to Stand (T.D.F. Production
for the Ontario Department of Economics and Development;
Columbia) |
|
Sky Over Holland (John Ferno Production
for the Netherlands; Warner Bros.-Seven Arts) |
|
Stop, Look and Listen (Len Janson and Chuck
Menville, producers; MGM) |
|
| Documentales |
| Short Subject |
Monument to the Dream (Charles E. Guggenheim,
producer; Guggenheim Productions) |
|
A Place to Stand (T.D.F. Production for
the Ontario Department of Economics and Development;
Columbia) |
|
The Redwoods (Mark Harris and Trevor
Greenwood, producers; King Screen Productions) |
|
See You at the Pillar (Robert Fitchett,
producer; Associated British-Path� Production) |
|
While I Run This Race (Carl V. Ragsdale,
producer; Sun Dial Films for VISTA) |
| Feature |
The Anderson Platoon (French Broadcasting
System) |
|
Festival (Patchke Productions) |
|
Harvest (U.S. Information Agency) |
|
A King's Story (Jack Le Vien Production) |
|
A Time for Burning (Quest Productions for
Lutheran Film Associates) |
|
| Oscar a la mejor película extranjera |
Closely Watched Trains, Czechoslovakia |
|
El Amor Brujo, Spain |
|
I Even Met Happy Gypsies, Yugoslavia |
|
Live for Life, France |
|
Portrait of Chieko, Japan |
| Irving G. Thalberg Memorial Award |
Alfred Hitchcock |
| Jean Hersholt Humanitarian Award |
Gregory Peck |
| Honorary Award |
To Arthur Freed for distinguished service to
the Academy and the production of six top-rated Awards
telecasts |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
