|
1935 Ganadores y Nominados |
|
 |
| 1935 Oscars were held on March 5, 1936 at the Biltmore
Hotel (Biltmore Bowl) Host:Frank Capra
|
| Oscar a la mejor película |
Alice Adams (RKO Radio) |
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Broadway Melody of 1936 (MGM) |
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Captain Blood (Cosmopolitan; First National) |
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David Copperfield (MGM) |
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The Informer (RKO Radio) |
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Les Mis�rables (Twentieth Century; United Artists) |
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The Lives of a Bengal Lancer (Paramount) |
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A Midsummer Night's Dream (Warner Bros.) |
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Mutiny on the Bounty (MGM) |
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Naughty Marietta (MGM) |
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Ruggles of Red Gap (Paramount) |
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Top Hat (RKO Radio) |
| Oscar al mejor actor |
Clark Gable, Mutiny on the Bounty |
|
Charles Laughton, Mutiny on the Bounty |
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Victor McLaglen, The Informer |
|
Paul Muni, Black Fury (Write-in candidate, not
an official nomination) |
|
Franchot Tone, Mutiny on the Bounty |
| Oscar a la mejor actriz |
Elisabeth Bergner, Escape Me Never |
|
Claudette Colbert, Private Worlds |
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Bette Davis, Dangerous |
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Katharine Hepburn, Alice Adams |
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Miriam Hopkins, Becky Sharp |
|
Merle Oberon, The Dark Angel |
| Oscar al mejor director |
Michael Curtiz, Captain Blood (Write-in candidate,
not an official nomination) |
|
John Ford, The Informer |
|
Henry Hathaway, The Lives of a Bengal Lancer |
|
Frank Lloyd, Mutiny on the Bounty |
| Guión |
| Original Story |
Moss Hart, Broadway Melody of 1936 |
|
Don Hartman and Stephen Avery, The Gay Deception |
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Ben Hecht and Charles MacArthur, The Scoundrel |
|
Gregory Rogers, G-Men (Write-in candidate,
not an official nomination) |
| Screenplay |
Achmed Abdullah, John L. Balderston and Waldemar
Young, screenplay; Jules Furthman, Talbot Jennings
and Carey Wilson, Mutiny on the Bounty |
|
Grover Jones and William Slavens McNutt, adaptation,
The Lives of a Bengal Lancer |
|
Dudley Nichols, The Informer |
|
Casey Robinson, Captain Blood (Write-in
candidate, not an official nomination) |
|
| Oscar a la mejor fotografía |
Ray June, Barbary Coast |
|
Victor Milner, The Crusades |
|
Hal Mohr, A Midsummer Night's Dream (Write-in
candidate, not an official nomination) |
|
Gregg Toland, Les Mis�rables |
| Oscar a la mejor dirección de arte |
Carroll Clark and Van Nest Polglase, Top Hat |
|
Richard Day, The Dark Angel |
|
Hans Dreier and Roland Anderson, The Lives of a Bengal
Lancer |
| Sound Recording |
Columbia Studio Sound Dept., Love Me Forever |
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MGM Studio Sound Dept., Naughty Marietta |
|
Paramount Studio Sound Dept., The Lives of a Bengal
Lancer |
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Republic Studio Sound Department, $1,000 a Minute |
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RKO Radio Studio Sound Dept., I Dream Too Much |
|
Twentieth Century-Fox Studio Sound Dept., Thanks
a Million |
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United Artists Studio Sound Dept., The Dark Angel |
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Universal Studio Sound Dept., The Bride of Frankenstein |
|
Warner Bros.-First National Studio Sound Dept., Captain
Blood |
| Assistant Director |
Clem Beauchamp and Paul Wing, The Lives of a Bengal
Lancer |
|
Joseph Newman, David Copperfield |
|
Sherry Shourds, A Midsummer Night's Dream (Write-in
candidate, not an official nomination |
|
Eric Stacey, Les Mis�rables |
| Music |
| Song |
�Cheek to Cheek,� Top Hat, Irving Berlin,
music and Iyrics |
|
�Lovely to Look At,� Roberta, Jerome Kern,
music; Dorothy Fields and Jimmy McHugh, Iyrics |
|
�Lullaby of Broadway,� Gold Diggers of 1935,
Harry Warren, music; Al Dubin, Iyrics |
| Score |
MGM Studio Music Dept., Mutiny on the Bounty |
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Paramount Studio Music Dept., Peter Ibbetson |
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RKO Radio Studio Music Dept., The Informer |
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Warner Bros.-First National Studio Music Dept.,
Captain Blood |
|
| Film Editing |
Margaret Booth, Mutiny on the Bounty |
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Ralph Dawson, A Midsummer Night's Dream |
|
George Hively, The Informer |
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Ellsworth Hoagland, The Lives of a Bengal Lancer |
|
Robert J. Kern, David Copperfield |
|
Barbara McLean, Les Mis�rables |
| Dance Direction |
Busby Berkeley, �Lullaby of Broadway� and �The Words
Are in My Heart,� Gold Diggers of 1935 |
|
Bobby Connolly, �Latin From Manhattan,� Go Into Your
Dance and �Playboy From Paree,� Broadway Hostess |
|
Dave Gould, �I've Got a Feeling You're Fooling,�
Broadway Melody of 1936 and �Straw Hat,� Folies
Bergere |
|
Sammy Lee, �Lovely Lady� and �Too Good to Be True,�
King of Burlesque |
|
Hermes Pan, �Piccolino� and �Top Hat, White Tie and
Tails,� Top Hat |
|
LeRoy Prinz, �It's the Animal in Me,� Big Broadcast
of 1936 and �Viennese Waltz,� All the King's Horses |
|
Benjamin Zemach, �Hall of Kings,� She |
| Short Subjects |
| Cartoon |
The Calico Dragon (Happy Harmonies Series)
(Harman-Ising; MGM) |
|
Three Orphan Kittens (Silly Symphony
Series) (Walt Disney Productions; United Artists) |
|
Who Killed Cock Robin? (Silly Symphony
Series) (Walt Disney Productions; United Artists) |
| Comedy |
How to Sleep (Miniature Series)
(Jack Chertok, producer; MGM) |
|
Oh, My Nerves (Broadway Comedies Series)
(Jules White, producer; Columbia) |
|
Tit for Tat (Laurel and Hardy Series)
(Hal Roach, producer; MGM) |
| Novelty |
Audioscopiks (Pete Smith, producer; MGM) |
|
Camera Thrills (Universal) |
|
Wings Over Mt. Everest (Gaumont British
and Skibo Productions; Educational) |
|
| Special Award |
To David Wark Griffith for his distinguished
creative achievements as director and producer and his
invaluable initiative and lasting contributions to the
progress of the motion picture arts |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
