|
1949 Ganadores y
Nominados
|
|
 |
| 1949 Oscars were held at the RKO Pantages Theatre on March
23, 1950 Host: Paul Douglas
|
| Best Motion Picture |
All the King's Men (Robert Rossen Productions;
Columbia) |
|
Battleground (MGM) |
|
The Heiress (Paramount) |
|
A Letter to Three Wives (Twentieth Century-Fox) |
|
Twelve O'Clock High (Twentieth Century-Fox) |
| Oscar al mejor actor |
Broderick Crawford, All the King's Men |
|
Kirk Douglas, Champion |
|
Gregory Peck, Twelve O'Clock High |
|
Richard Todd, The Hasty Heart |
|
John Wayne, Sands of lwo Jima |
| Oscar a la mejor actriz |
Jeanne Crain, Pinky |
|
Olivia de Havilland, The Heiress |
|
Susan Hayward, My Foolish Heart |
|
Deborah Kerr, Edward, My Son |
|
Loretta Young, Come to the Stable |
| Oscar al mejor actor de reparto |
John Ireland, All the King's Men |
|
Dean Jagger, Twelve O'Clock High |
|
Arthur Kennedy, Champion |
|
Ralph Richardson, The Heiress |
|
James Whitmore, Battleground |
| Oscar a la mejor actriz de reparto |
Ethel Barrymore, Pinky |
|
Celeste Holm, Come to the Stable |
|
Elsa Lanchester, Come to the Stable |
|
Mercedes McCambridge, All the King's Men |
|
Ethel Waters, Pinky |
| Oscar al mejor director |
Joseph L. Mankiewicz, A Letter to Three Wives |
|
Carol Reed, The Fallen Idol |
|
Robert Rossen, All the King's Men |
|
William A. Wellman, Battleground |
|
William Wyler, The Heiress |
| Guión |
| Motion Picture Story |
Harry Brown, Sands of Iwo Jima |
|
Virginia Kellogg, White Heat |
|
Clare Boothe Luce, Come to the Stable |
|
Douglas Morrow, The Stratton Story |
|
Shirley W. Smith and Valentine Davies, It Happens
Every Spring |
| Screenplay |
Carl Foreman, Champion |
|
Graham Greene, The Fallen Idol |
|
Joseph L. Mankiewicz, A Letter to Three
Wives |
|
Robert Rossen, All the King's Men |
|
Cesare Zavattini, The Bicycle Thief |
| Story and Screenplay |
Sidney Buchman, Jolson Sings Again |
|
T. E. B. Clarke, Passport to Pimlico |
|
Alfred Hayes, Federico Fellini, Sergio Amidei,
Marcello Pagliero and Roberto Rossellini, Paisan |
|
Helen Levitt, Janice Loeb and Sidney Meyers, The
Quiet One |
|
Robert Pirosh, Battleground |
|
| Oscar a la mejor fotografía |
| Black-and-White |
Joseph LaShelle, Come to the Stable |
|
Frank Planer, Champion |
|
Leon Shamroy, Prince of Foxes |
|
Leo Tover, The Heiress |
|
Paul C. Vogel, Battleground |
| Color |
Charles G. Clarke, Sand |
|
Winton Hoch, She Wore a Yellow Ribbon |
|
Robert Planck and Charles Schoenbaum, Little
Women |
|
William Snyder, Jolson Sings Again |
|
Harry Stradling, The Barkleys of Broadway |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
Cedric Gibbons and Jack Martin Smith, Oscar a la
mejor dirección de arte;
Edwin B. Willis and Richard A. Pefferle, set decoration,
Madame Bovary |
|
John Meehan and Harry Horner, Oscar a la
mejor dirección de arte;
Emile Kuri, set decoration, The Heiress |
|
Lyle Wheeler and Joseph C. Wright, Oscar a la
mejor dirección de arte;
Thomas Little and Paul S. Fox, set decoration, Come
to the Stable |
| Color |
Edward Carrere, Oscar a la mejor dirección de
arte; Lyle Reifsnider,
set decoration, The Adventures of Don Juan |
|
Cedric Gibbons and Paul Groesse; Edwin B. Willis
and Jack D. Moore, Little Women |
|
Jim Morahan, William Kellner and Michael Relph,
Oscar a la mejor dirección de arte, Saraband |
|
| Sound Recording |
Republic Studio Sound Department, Sands of Iwo Jima |
|
Twentieth Century-Fox Studio Sound Department, Twelve
O'Clock High |
|
Universal-International Studio Sound Department, Once
More, My Darling |
| Music |
| Song |
�Baby, It's Cold Outside,� Neptune's Daughter,
Frank Loesser, music and lyrics] |
|
�It's a Great Feeling,� It's a Great Feeling,
Jule Styne, music; Sammy Cahn, lyrics |
|
�Lavender Blue,� So Dear to My Heart, Eliot
Daniel, music; Larry Morey, lyrics |
|
�My Foolish Heart,� My Foolish Heart, Victor
Young, music; Ned Washington, lyrics |
|
�Through a Long and Sleepless Night,� Come
to the Stable, Alfred Newman, music; Mack Gordon,
lyrics |
| Scoring of a Comedy or Dramatic Picture |
Aaron Copland, The Heiress |
|
Max Steiner, Beyond the Forest |
|
Dimitri Tiomkin, Champion |
| Scoring of a Musical Picture |
Roger Edens and Lennie Hayton, On the Town |
|
Ray Heindorf, Look for the Silver Lining |
|
Morris Stoloff and George Duning, Jolson Sings
Again |
|
| Film Editing |
John Dunning, Battleground |
|
Harry Gerstad, Champion |
|
Frederic Knudtson, The Window |
|
Robert Parrish and Al Clark, All the King's Men |
|
Richard L. Van Enger, Sands of Iwo Jima |
| Costume Design |
| Black-and-White |
Edith Head and Gile Steele, The Heiress |
|
Vittorio Nino Novarese, Prince of Foxes |
| Color |
Kay Nelson, Mother Is a Freshman |
|
Leah Rhodes, Travilla and Marjorie Best, The
Adventures of Don Juan |
|
| Special Effects |
Mighty Joe Young (Arko Production; RKO Radio) |
|
Tulsa (Walter Wagner; Eagle Lion) |
| Short Subjects |
| Cartoon |
Canary Row (Merrie Melodies Series)
(Warner Bros. Cartoons, Inc.; Warner Bros.) (Nomination
withdrawn by producer.) |
|
For Scent-imental Reasons (Merrie Melodies
Series) (Warner Bros. Cartoons, Inc.; Warner
Bros.) |
|
Hatch Up Your Troubles (Tom and Jerry Series)
(Frederick Quimby, producer; MGM) |
|
The Magic Fluke (Fox and Crow Series) (United
Productions of America; Columbia) |
|
Toy Tinkers (Donald Duck Series) (Walt
Disney Productions; RKO Radio) |
| One-Reel |
Aquatic House-Party (Grantland Rice Sportlights
Series) (Jack Eaton, producer; Paramount) |
|
Roller Derby Girl (Pacemaker Series) (Justin
Herman, producer; Paramount) |
|
So You Think You're Not Guilty (John McDoakes
Series) (Gordon Hollingshead, producer; Warner
Bros.) |
|
Spills and Chills (Sports News Review Series)
(Walton C. Ament, producer; Warner Bros.) |
|
Water Trix (Pete Smith Specialties Series)
(Pete Smith, producer; MGM) |
| Two-Reel |
The Boy and the Eagle (William Lasky, producer;
RKO Radio) |
|
Chase of Death (Irving Allen Productions) |
|
The Grass Is Always Greener (Gordon Hollingshead,
producer; Warner Bros.) |
|
Snow Carnival (Two-reel Technicolor Series)
(Gordon Hollingshead, producer; Warner Bros.) |
|
Van Gogh (Gaston Diehl and Robert Haeessens,
producers; Canton-Weiner Films) |
|
| Documentales |
| Short Subject (tie) |
A Chance to Live (March of Time Series)
(Richard de Rochemont, producer; Twentieth Century-Fox) |
|
1848 (A. F. Films; French Cinema General
Cooperative) |
|
The Rising Tide (National Film Board of
Canada; St. Francis-Xavier University) |
|
So Much for So Little (Warner Bros.
Cartoons, Inc.; Warner Bros.) |
| Feature |
Daybreak in Udi (British Information
Services; Crown Film Unit) |
|
Kenji Comes Home (Paul F. Heard, producer;
Protestant Film Commission) |
|
| Special Awards |
To The Bicycle Thief (Italy), voted by
the Academy Board of Governors as the most outstanding
Oscar a la mejor película extranjera released in the United States during
1949 |
|
To Bobby Driscoll, oustanding juvenile actor
of 1949 |
|
To Fred Astaire for his unique artistry and his
contributions to the technique of musical pictures |
|
To Cecil B. DeMille, distinguished motion picture
pioneer, for 37 years of brilliant showmanship |
|
To Jean Hersholt for distinguished service to
the motionpicture industry |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
