|
1954 Ganadores y
Nominados
|
|
 |
| The 1954 Oscars were held on March 30, 1955 at the RKO
Pantages Theatre (CA) and the Century Theater (New York) Hosts: Bob Hope (CA)
Thelma Ritter (NY)
|
| Best Motion Picture |
The Caine Mutiny, Stanley Kramer, producer (Columbia) |
|
The Country Girl, William Perlberg, producer
(Paramount) |
|
On the Waterfront, Sam Spiegel, producer (Columbia) |
|
Seven Brides for Seven Brothers, Jack Cummings,
producer (MGM) |
|
Three Coins in the Fountain, Sol C. Siegel, producer
(Twentieth Century-Fox) |
| Oscar al mejor actor |
Humphrey Bogart, The Caine Mutiny |
|
Marlon Brando, On the Waterfront |
|
Bing Crosby, The Country Girl |
|
James Mason, A Star Is Born |
|
Dan O'Herlihy, Adventures of Robinson Crusoe |
| Oscar a la mejor actriz |
Dorothy Dandridge, Carmen Jones |
|
Judy Garland, A Star Is Born |
|
Audrey Hepburn, Sabrina |
|
Grace Kelly, The Country Girl |
|
Jane Wyman, Magnificent Obsession |
| Oscar al mejor actor de reparto |
Lee J. Cobb, On the Waterfront |
|
Karl Malden, On the Waterfront |
|
Edmond O'Brien, The Barefoot Contessa |
|
Rod Steiger, On the Waterfront |
|
Tom Tully, The Caine Mutiny |
| Oscar a la mejor actriz de reparto |
Nina Foch, Executive Suite |
|
Katy Jurado, Broken Lance |
|
Eva Maria Saint, On the Waterfront |
|
Jan Sterling, The High and the Mighty |
|
Claire Trevor, The High and the Mighty |
| Oscar al mejor director |
Alfred Hitchcock, Rear Window |
|
Elia Kazan, On the Waterfront |
|
George Seaton, The Country Girl |
|
William Wellman, The High and the Mighty |
|
Billy Wilder, Sabrina |
| Guión |
| Motion Picture Story |
Fran�ois Boyer, Forbidden Games |
|
Jed Harris and Tom Reed, Night People |
|
Ettore Margadonna, Bread, Love and Dreams |
|
Lamar Trotti, There's No Business Like Show
Business |
|
Philip Yordan, Broken Lance |
| Screenplay |
Albert Hackett, Frances Goodrich and Dorothy Kingsley,
Seven Brides for Seven Brothers |
|
John Michael Hayes, Rear Window |
|
Stanley Roberts, The Caine Mutiny |
|
George Seaton, The Country Girl |
|
Billy Wilder, Samuel Taylor and Ernest Lehman,
Sabrina |
| Story and Screenplay |
Valentine Davies and Oscar Brodney, The Glenn
Miller Story |
|
Joseph L. Mankiewicz, The Barefoot Contessa |
|
Norman Panama and Melvin Frank, Knock on Wood |
|
William Rose, Genevieve |
|
Budd Schulberg, On the Waterfront |
|
| Oscar a la mejor fotografía |
| Black-and-White |
George Folsey, Executive Suite |
|
Boris Kaufman, On the Waterfront |
|
Charles Lang, Jr., Sabrina |
|
John Seitz, Rogue Cop |
|
John F. Warren, The Country Girl |
| Color |
Robert Burks, Rear Window |
|
George Folsey, Seven Brides for Seven Brothers |
|
Milton Krasner, Three Coins in the Fountain |
|
Leon Shamroy, The Egyptian |
|
William V. Skall, The Silver Chalice |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
Richard Day, Oscar a la mejor dirección de
arte and set decoration,
On the Waterfront |
|
Cedric Gibbons and Edward Carfagno, Oscar a la
mejor dirección de arte;
Edwin B. Willis and Emile Kuri, set decoration,
Executive Suite |
|
Max Ophuls, Oscar a la mejor dirección de arte and set decoration,
Le Plaisir |
|
Hal Pereira and Roland Anderson, Oscar a la
mejor dirección de arte;
Sam Comer and Grace Gregory, set decoration, The
Country Girl |
|
Hal Pereira and Walter Tyler, Oscar a la mejor
dirección de arte; Sam
Comer and Ray Moyer, set decoration, Sabrina |
| Color |
Malcolm Bert, Gene Allen and Irene Sharaff,
Oscar a la mejor dirección de arte; George James Hopkins, set decoration,
A Star Is Born |
|
Cedric Gibbons and Preston Ames, Oscar a la
mejor dirección de arte;
Edwin B. Willis and Keogh Gleason, set decoration,
Brigadoon |
|
John Meehan, Oscar a la mejor dirección de
arte; Emile Kuri, set
decoration, 20,000 Leagues Under the Sea |
|
Hal Pereira and Roland Anderson, Oscar a la
mejor dirección de arte;
Sam Comer and Ray Moyer, set decoration, Red
Garters |
|
Lyle Wheeler and Leland Fuller, Oscar a la mejor
dirección de arte;
Walter M. Scott and Paul S. Fox, set decoration,
Desir�e |
|
| Sound Recording |
Columbia Studio Sound Dept., The Caine Mutiny |
|
MGM Studio Sound Dept., Brigadoon |
|
Paramount Studio Sound Dept., Rear Window |
|
RKO Radio Studio Sound Dept., Susan Slept Here |
|
Universal-International Studio Sound Dept., The
Glenn Miller Story |
| Music |
| Song |
�Count Your Blessings Instead of Sheep,� White
Christmas, Irving Berlin, music and lyrics |
|
�The High and the Mighty,� The High and the
Mighty, Dimitri Tiomkin, music; Ned Washington,
lyrics |
|
�Hold My Hand,� Susan Slept Here, Jack
Lawrence and Richard Myers, music and lyrics |
|
�The Man That Got Away,� A Star Is Born,
Harold Arlen, music; Ira Gershwin, lyrics |
|
�Three Coins in the Fountain,� Three Coins
in the Fountain, Jule Styne, music; Sammy Cahn,
lyrics |
| Scoring of a Dramatic or Comedy Picture |
Larry Adler, Genevieve |
|
Leonard Bernstein, On the Waterfront |
|
Max Steiner, The Caine Mutiny |
|
Dimitri Tiomkin, The High and the Mighty |
|
Franz Waxman, The Silver Chalice |
| Scoring of a Musical Picture |
Adolph Deutsch and Saul Chaplin, Seven Brides
for Seven Brothers |
|
Joseph Gershenson and Henry Mancini, The Glenn
Miller Story |
|
Herschel Burke Gilbert, Carmen Jones |
|
Ray Heindorf, A Star Is Born |
|
Alfred Newman and Lionel Newman, There's No
Business Like Show Business |
|
| Film Editing |
Ralph Dawson, The High and the Mighty |
|
William A. Lyon and Henry Batista, The Caine Mutiny |
|
Gene Milford, On the Waterfront |
|
Elmo Williams, 20,000 Leagues Under the Sea |
|
Ralph E. Winters, Seven Brides for Seven Brothers |
| Costume Design |
| Black-and-White |
Georges Annenkov and Rosine Delamare, The Earrings
of Madame De . . . |
|
Christian Dior, Indiscretion of an American
Wife |
|
Edith Head, Sabrina |
|
Jean Louis, It Should Happen to You |
|
Helen Rose, Executive Suite |
| Color |
Charles LeMaire and Rene Hubert, Desir�e |
|
Charles LeMaire, Travilla and Miles White, There's
No Business Like Show Business |
|
Jean Louis, Mary Ann Nyberg and Irene Sharaff,
A Star Is Born |
|
Irene Sharaff, Brigadoon |
|
Sanzo Wada, Gate of Hell |
|
| Special Effects |
Hell and High Water (Twentieth Century-Fox) |
|
Them! (Warner Bros.) |
|
20,000 Leagues Under the Sea (Walt Disney
Productions; Buena Vista) |
| Short Subjects |
| Cartoon |
Crazy Mixed Up Pup (Walter Lantz Productions;
Universal-International) |
|
Pigs Is Pigs (Walt Disney Productions;
RKO Radio) |
|
Sandy Claws (Looney Tunes Series) (Warner
Bros. Cartoons, Inc.; Warner Bros.) |
|
Touch�, Pussy Cat (Tom and Jerry Series)
(Frederick Quimby, producer; MGM) |
|
When Magoo Flew (Mr. Magoo Series) (United
Productions of America; Columbia) |
| One-Reel |
The First Piano Quartette (Music Series)
(Otto Lang, producer; Twentieth Century-Fox) |
|
The Strauss Fantasy (Musical Gems Series)
(Johnny Green, producer; MGM) |
|
This Mechanical Age (Warner Variety Series)
(Robert Youngson, producer; Warner Bros.) |
| Two-Reel |
Beauty and the Bull (Technicolor Specials Series)
(Cedric Francis, producer; Warner Bros.) |
|
Jet Carrier (Otto Lang, producer; Twentieth
Century-Fox) |
|
Siam (People and Places Series) (Walt Disney
Productions; Buena Vista) |
|
A Time Out of War (Denis Sanders and
Terry Sanders, producers; Carnival Productions) |
|
| Documentales |
| Short Subject |
Jet Carrier (Otto Lang, producer; Twentieth
Century-Fox) |
|
Rembrandt: A Self-Portrait (Morrie Roizman
Production; Distributors Corporation of America) |
|
Thursday's Children (World Wide Pictures
and Morse Films; British Information Services) |
| Feature |
The Stratford Adventure (National Film
Board of Canada; Continental Distributing, Inc.) |
|
The Vanishing Prairie (True-Life Adventure
Series) (Walt Disney Productions; Buena Vista) |
|
| Honorary Awards |
To Bausch and Lomb Optical Company for their
contributions to the advancement of the motion picture
industry |
|
To Kemp R. Niver for the development of the Renovare
Process, which has made possible the restoration of the
Library of Congress Paper Film Collection |
|
To Greta Garbo for her unforgettable screen performances |
|
To Danny Kaye for his unique talents and his
service to the Academy, the motion picture industry and
the American people |
|
To Jon Whiteley for his outstanding juvenile
performance in The Little Kidnappers |
|
To Vincent Winter for his outstanding performance
in The Little Kidnappers |
|
To Gate of Hell (Japan) best Oscar a la mejor
película extranjera first released in the United States during 1954 |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
