|
1959 Ganadores y
Nominados
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|
 |
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1959 Oscars were held at the RKO Pantages Theatre on April
4, 1960 Host: Bob Hope
|
| Best Motion Picture |
| Anatomy of a Murder, Otto Preminger, producer
(Columbia) |
|
Ben-Hur, Sam Zimbalist, producer (MGM) |
|
The Diary of Anne Frank, George Stevens, producer
(Twentieth Century-Fox) |
|
The Nun's Story, Henry Blanke, producer (Warner
Bros.) |
|
Room at the Top, John and James Woolf, producers
(Continental) |
| Oscar al mejor actor |
Laurence Harvey, Room at the Top |
|
Charlton Heston, Ben-Hur |
|
Jack Lemmon, Some Like It Hot |
|
Paul Muni, The Last Angry Man |
|
James Stewart, Anatomy of a Murder |
| Oscar a la mejor actriz |
Doris Day, Pillow Talk |
|
Audrey Hepburn, The Nun's Story |
|
Katharine Hepburn, Suddenly, Last Summer |
|
Simone Signoret, Room at the Top |
|
Elizabeth Taylor, Suddenly, Last Summer |
| Oscar al mejor actor de reparto |
Hugh Griffith, Ben-Hur |
|
Arthur O'Connell, Anatomy of a Murder |
|
George C. Scott, Anatomy of a Murder |
|
Robert Vaughn, The Young Philadelphians |
|
Ed Wynn, The Diary of Anne Frank |
| Oscar a la mejor actriz de reparto |
Hermione Baddeley, Room at the Top |
|
Susan Kohner, Imitation of Life |
|
Juanita Moore, Imitation of Life |
|
Thelma Ritter, Pillow Talk |
|
Shelley Winters, The Diary of Anne Frank |
| Oscar al mejor director |
Jack Clayton, Room at the Top |
|
George Stevens, The Diary of Anne Frank |
|
Billy Wilder, Some Like It Hot |
|
William Wyler, Ben-Hur |
|
Fred Zinnemann, The Nun's Story |
| Guión |
| Screenplay Based on Material From Another Medium |
Robert Anderson, The Nun's Story |
|
Wendell Mayes, Anatomy of a Murder |
|
Neil Paterson, Room at the Top |
|
Karl Tunberg, Ben-Hur |
|
Billy Wilder and I. A. L. Diamond, Some Like
It Hot |
| Story and Screenplay Written Directly for the
Screen |
Ingmar Bergman, Wild Strawberries |
|
Ernest Lehman, North by Northwest |
|
Russell Rouse and Clarence Greene, story; Stanley
Shapiro and Maurice Richlin, screenplay, Pillow
Talk |
|
Fran�ois Truffaut and Marcel Moussy, The 400
Blows |
|
| Oscar a la mejor fotografía |
| Black-and-White |
Charles Lang, Jr., Some Like It Hot |
|
Joseph LaShelle, Career |
|
Sam Leavitt, Anatomy of a Murder |
|
William C. Mellor, The Diary of Anne Frank |
|
Harry Stradling, Sr., The Young Philadelphians |
| Color |
Daniel L. Fapp, The Five Pennies |
|
Lee Garmes, The Big Fisherman |
|
Franz Planer, The Nun's Story |
|
Leon Shamroy, Porgy and Bess |
|
Robert L. Surtees, Ben-Hur |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
Carl Anderson, Oscar a la mejor dirección de
arte; William Kiernan,
set decoration, The Last Angry Man |
|
Ted Haworth, Oscar a la mejor dirección de arte; Edward G. Boyle, set
decoration, Some Like It Hot |
|
Oliver Messel and William Kellner, Oscar a la
mejor dirección de arte;
Scot Slimon, set decoration, Suddenly, Last Summer |
|
Hal Pereira and Walter Tyler, Oscar a la mejor
dirección de arte; Sam
Comer and Arthur Krams, set decoration, Career |
|
Lyle R. Wheeler and George W. Davis, Oscar a
la mejor dirección de arte;
Walter M. Scott and Stuart A. Reiss, set decoration,
The Diary of Anne Frank |
| Color |
John DeCuir, Oscar a la mejor dirección de arte; Julia Heron, set decoration,
The Big Fisherman |
|
William A. Horning, Robert Boyle and Merrill Pye,
Oscar a la mejor dirección de arte; Henry Grace and Frank McKelvy, set
decoration, North by Northwest |
|
William A. Horning and Edward Carfagno, Oscar
a la mejor dirección de arte; Hugh Hunt, set decoration, Ben-Hur |
|
Richard H. Riedel, Oscar a la mejor dirección de
arte; Russell A. Gausman
and Ruby R. Levitt, set decoration, Pillow Talk |
|
Lyle R. Wheeler, Oscar a la mejor dirección de
arte, Franz Bachelin
and Herman A. Blumenthal, set decoration; Walter
M. Scott and Joseph Kish, Journey to the Center
of the Earth |
|
| Sound |
MGM London Studio Sound Dept., Libel! |
|
MGM Studio Sound Dept. Ben-Hur |
|
Samuel Goldwyn Studio Sound Dept. and Todd-AO Sound
Dept., Porgy and Bess |
|
Twentieth Century-Fox Studio Sound Dept., Journey
to the Center of the Earth |
|
Warner Bros. Studio Sound Dept., The Nun's Story |
| Music |
| Song |
�The Best of Everything,� The Best of Everything,
Alfred Newman, music; Sammy Cahn, lyrics |
|
�The Five Pennies,� The Five Pennies, Sylvia
Fine, music and lyrics |
|
�The Hanging Tree,� The Hanging Tree, Jerry
Livingston, music; Mack David, lyrics |
|
�High Hopes,� A Hole in the Head, James
Van Heusen, music; Sammy Cahn, lyrics] |
|
�Strange Are the Ways of Love,� The Young Land,
Dimitri Tiomkin, music; Ned Washington, lyrics |
| Scoring of a Dramatic or Comedy Picture |
Frank DeVol, Pillow Talk |
|
Ernest Gold, On the Beach |
|
Miklos Rozsa, Ben-Hur |
|
Franz Waxman, The Nun's Story |
| Scoring of a Musical Picture |
George Bruns, Sleeping Beauty |
|
Lionel Newman, Say One for Me |
|
Andr� Previn and Ken Darby, Porgy and Bess |
|
Nelson Riddle and Joseph J. Lilley, Li'l Abner |
|
Leith Stevens, The Five Pennies |
|
| Film Editing |
Frederic Knudtson, On the Beach |
|
Louis R. Loeffler, Anatomy of a Murder |
|
Walter Thompson, The Nun's Story |
|
George Tomasini, North by Northwest |
|
Ralph E. Winters and John D. Dunning, Ben-Hur |
| Costume Design |
| Black-and-White |
Edith Head, Career |
|
Charles LeMaire and Mary Wills, The Diary of
Anne Frank |
|
Orry-Kelly, Some Like It Hot |
|
Helen Rose, The Gazebo |
|
Howard Shoup, The Young Philadelphians |
| Color |
Elizabeth Haffenden, Ben-Hur |
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Edith Head, The Five Pennies |
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Adele Palmer, The Best of Everything |
|
Renie, The Big Fisherman |
|
Irene Sharaff, Porgy and Bess |
|
| Special Effects |
L. B. Abbott and James B. Gordon, visual; Carl Faulkner,
audible, Journey to the Center of the Earth |
|
A. Arnold Gillespie and Robert MacDonald, visual;
Milo Lory, audible, Ben-Hur |
| Short Subjects |
| Cartoon |
Mexicali Shmoes (Speedy Gonzales Series)
(John W. Burton, producer; Warner Bros.) |
|
Moonbird (Storyboard, Inc.; Edward Harrison) |
|
Noah's Ark (Walt Disney Productions; Buena
Vista) |
|
The Violinist (Pintoff Productions; Kingsley
International) |
| Live Action |
Between the Tides (British Transport Films;
Lester A. Schoenfeld Films) |
|
The Golden Fish (Les Requins Associes;
Columbia) |
|
Mysteries of the Deep (Walt Disney Productions;
Buena Vista) |
|
The Running, Jumping and Standing-Still Film
(Lion International Films; Kingsley-Union Films) |
|
Skyscraper (Tishman Realty and Construction
Co.; Burstyn Film Enterprises) |
|
| Documentales |
| Short Subject |
Donald in Mathmagic Land (Walt Disney Productions;
Buena Vista) |
|
From Generation to Generation (Cullen Associates;
Maternity Center Association) |
|
Glass (Netherlands Government; George
K. Arthur-Go Pictures, Inc.) |
| Feature |
The Race for Space (David L. Wolper, producer;
Wolper, Inc.) |
|
Serengeti Shall Not Die (Okapia-Film
GmbH Production; Transocean-Film) |
|
| Oscar a la mejor película extranjera |
Black Orpheus, France |
|
The Bridge, Federal Republic of Germany�West |
|
The Great War, Italy |
|
Paw, Denmark |
|
The Village on the River, Netherlands |
| Jean Hersholt Humanitarian Award |
Bob Hope |
| Honorary Awards |
To Lee De Forest for his pioneering inventions
that brought sound to the motion picture |
|
To Buster Keaton for his unique talents that
brought immortal comedies to the screen |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
