|
1961 Ganadores y
Nominados |
|
 |
|
1961 Oscars were held at the RKO Pantages Theatre on April
9, 1962 Host: Bob Hope
|
| Best Motion Picture |
Fanny, Joshua Logan, producer (Warner Bros.) |
|
The Guns of Navarone, Carl Foreman, producer
(Columbia) |
|
The Hustler, Robert Rossen, producer (Twentieth
Century-Fox) |
|
Judgment at Nuremberg, Stanley Kramer, producer
(United Artists) |
|
West Side Story, Robert Wise, producer (United
Artists) |
| Oscar al mejor actor |
Charles Boyer, Fanny |
|
Paul Newman, The Hustler |
|
Maximilian Schell, Judgment at Nuremberg |
|
Spencer Tracy, Judgment at Nuremberg |
|
Stuart Whitman, The Mark |
| Oscar a la mejor actriz |
Audrey Hepburn, Breakfast at Tiffany's |
|
Piper Laurie, The Hustler |
|
Sophia Loren, Two Women |
|
Geraldine Page, Summer and Smoke |
|
Natalie Wood, Splendor in the Grass |
| Oscar al mejor actor de reparto |
George Chakiris, West Side Story |
|
Montgomery Clift, Judgment at Nuremberg |
|
Peter Falk, Pocketful of Miracles |
|
Jackie Gleason, The Hustler |
|
George C. Scott, The Hustler |
| Oscar a la mejor actriz de reparto |
Fay Bainter, The Children's Hour |
|
Judy Garland, Judgment at Nuremberg |
|
Lotte Lenya, The Roman Spring of Mrs. Stone |
|
Una Merkel, Summer and Smoke |
|
Rita Moreno, West Side Story |
| Oscar al mejor director |
Federico Fellini, La Dolce Vita |
|
Stanley Kramer, Judgment at Nuremberg |
|
Robert Rossen, The Hustler |
|
J. Lee Thompson, The Guns of Navarone |
|
Robert Wise and Jerome Robbins, West Side Story |
| Guión |
| Screenplay Based on Material From Another Medium |
George Axelrod, Breakfast at Tiffany's |
|
Sidney Carroll and Robert Rossen, The Hustler |
|
Carl Foreman, The Guns of Navarone |
|
Ernest Lehman, West Side Story |
|
Abby Mann, Judgment at Nuremberg |
| Story and Screenplay Written Directly for the
Screen |
Sergio Amidei, Diego Fabbri and Indro Montanelli,
General Della Rovere |
|
Federico Fellini, Tullio Pinelli, Ennio Flaiano
and Brunello Rondi, La Dolce Vita |
|
William Inge, Splendor in the Grass |
|
Stanley Shapiro and Paul Henning, Lover Come
Back |
|
Valentin Yoshov and Grigori Chukhrai, Ballad
of a Soldier |
|
| Oscar a la mejor fotografía |
| Black-and-White |
Edward Colman, The Absent-Minded Professor |
|
Daniel L. Fapp, One, Two, Three |
|
Ernest Laszlo, Judgment at Nuremberg |
|
Franz F. Planer, The Children's Hour |
|
Eugen Shuftan, The Hustler |
| Color |
Jack Cardiff, Fanny |
|
Daniel L. Fapp, West Side Story |
|
Charles Lang, Jr., One-Eyed Jacks |
|
Russell Metty, Flower Drum Song |
|
Harry Stradling, Sr., A Majority of One |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
Fernando Carrere, Oscar a la mejor dirección de
arte; Edward G. Boyle,
set decoration, The Children's Hour |
|
Carroll Clark, Oscar a la mejor dirección de
arte; Emile Kuri and Hal
Gausman, set decoration, The Absent-Minded Professor |
|
Piero Gherardi, Oscar a la mejor dirección de
arte and set decoration,
La Dolce Vita |
|
Harry Horner, Oscar a la mejor dirección de
arte; Gene Callahan,
set decoration, The Hustler |
|
Rudolph Sternad, Oscar a la mejor dirección de
arte; George Milo, set
decoration, Judgment at Nuremberg |
| Color |
Veniero Colasanti and John Moore, Oscar a la
mejor dirección de arte
and set decoration, El Cid |
|
Alexander Golitzen and Joseph Wright, Oscar a la
mejor dirección de arte;
Howard Bristol, set decoration, Flower Drum Song |
|
Boris Leven, Oscar a la mejor dirección de
arte; Victor Gangelin,
set decoration, West Side Story |
|
Hal Pereira and Roland Anderson, Oscar a la
mejor dirección de arte;
Sam Comer and Ray Moyer, set decoration, Breakfast
at Tiffany's |
|
Hal Pereira and Walter Tyler, Oscar a la mejor
dirección de arte; Sam
Comer and Arthur Krams, set decoration, Summer
and Smoke |
|
| Sound |
Revue Studio Sound Dept., Waldon O. Watson, sound director,
Flower Drum Song |
|
Samuel Goldwyn Studio Sound Dept., Gordon E. Sawyer,
sound director, The Children's Hour |
|
Shepperton Studio Sound Dept., John Cox, sound director,
The Guns of Navarone |
|
Todd-AO Sound Dept., Fred Hynes, sound director and
Samuel Goldwyn Studio Sound Dept., Gordon E. Sawyer, sound
director, West Side Story |
|
Walt Disney Studio Sound Dept., Robert O. Cook, sound
director, The Parent Trap |
| Music |
| Song |
�Bachelor in Paradise,� Bachelor in Paradise,
Henry Mancini, music; Mack David, lyrics |
|
�Love Theme From El Cid� (The Falcon and
the Dove), El Cid, Miklos Rozsa, music; Paul
Francis Webster, lyrics |
|
�Moon River,� Breakfast at Tiffany's,
Henry Mancini, music; Johnny Mercer, lyrics |
|
�Pocketful of Miracles,� Pocketful of Miracles,
James Van Heusen, music; Sammy Cahn, lyrics |
|
�Town Without Pity,� Town Without Pity,
Dimitri Tiomkin, music; Ned Washington, lyrics |
| Scoring of a Dramatic or Comedy Picture |
Elmer Bernstein, Summer and Smoke |
|
Henry Mancini, Breakfast at Tiffany's |
|
Miklos Rozsa, El Cid |
|
Morris Stoloff and Harry Sukman, Fanny |
|
Dimitri Tiomkin, The Guns of Navarone |
| Scoring of a Musical Picture |
George Bruns, Babes in Toyland |
|
Saul Chaplin, Johnny Green, Sid Ramin and Irwin
Kostal, West Side Story |
|
Duke Ellington, Paris Blues |
|
Alfred Newman and Ken Darby, Flower Drum Song |
|
Dimitri Shostakovich, Khovanshchina |
|
| Film Editing |
Philip W. Anderson, The Parent Trap |
|
Frederic Knudtson, Judgment at Nuremberg |
|
Alan Osbiston, The Guns of Navarone |
|
William H. Reynolds, Fanny |
|
Thomas Stanford, West Side Story |
| Costume Design |
| Black-and-White |
Piero Gherardi, La Dolce Vita |
|
Dorothy Jeakins, The Children's Hour |
|
Jean Louis, Judgment at Nuremberg |
|
Yoshiro Muraki, Yojimbo |
|
Howard Shoup, Claudelle Inglish |
| Color |
Edith Head and Walter Plunkett, Pocketful of
Miracles |
|
Jean Louis, Back Street |
|
Irene Sharaff, Flower Drum Song |
|
Irene Sharaff, West Side Story |
|
Bill Thomas, Babes in Toyland |
|
| Special Effects |
Robert A. Mattey and Eustace Lycett, visual, The
Absent-Minded Professor |
|
Bill Warrington, visual; Vivian C. Greenham, audible,
The Guns of Navarone |
| Short Subjects |
| Cartoon |
Aquamania (Walt Disney Productions; Buena
Vista) |
|
Beep Prepared (Roadrunner and Coyote
Series) (Chuck Jones, producer; Warner Bros.) |
|
Ersatz (The Substitute) (Zagreb Film;
Herts-Lion International Corp.) |
|
Nelly's Folly (Nelly the Giraffe Series)
(Chuck Jones, producer; Warner Bros.) |
|
Pied Piper of Guadalupe (Speedy Gonzalez
and Sylvester Series) (Friz Freleng, producer;
Warner Bros.) |
| Live Action |
Ballon Vole (Play Ball!) (Cin�-Documents;
Kingsley International) |
|
The Face of Jesus (Jenga Productions; Harry
Stern, Inc.) |
|
Rooftops of New York (Musical Travelbook Series)
(McCarty-Rush Production in association with Robert
Gaffney; Columbia) |
|
Seawards the Great Ships (Templar Film
Studios; Lester A. Schoenfeld Films) |
|
Very Nice, Very Nice (National Film Board
of Canada; Kingsley International) |
|
| Documentales |
| Short Subject |
Breaking the Language Barrier (Travel
Adventure Series) (U.S. Air Force) |
|
Cradle of Genius (Plough Productions; Irving
M. Lesser Film Presentation) |
|
Kahl (Dido Film GmbH; AEG-Filmdienst) |
|
L'Uomo in Grigio (The Man in Gray) (Benedetto
Benedetti, producer; Benedetto Benedetti Production) |
|
Project Hope (MacManus, John and Adams,
Inc./Klaeger Film Production; Ex-Cell-O Corp.) |
| Feature |
La Grande Olimpiade (Olympic Games 1960)
(Dell Istituto Nationale Luce, Comitato Organizzatore
Del Giochi Della XVII Olimpiade; Cineriz) |
|
Le Ciel et la Boue (Sky Above and Mud Beneath)
(Ardennes Films and Michael Arthur Film Productions;
Rank Films) |
|
| Oscar a la mejor película extranjera |
Harry and the Butler, Denmark |
|
Immortal Love, Japan |
|
The Important Man, Mexico |
|
Placido, Spain |
|
Through a Glass Darkly, Sweden |
| Irving G. Thalberg Memorial Award |
Stanley Kramer |
| Jean Hersholt Humanitarian Award |
George Seaton |
| Honorary Awards |
To William L. Hendricks for his outstanding patriotic
service in the conception, Guión and production of the
Marine Corps film, A Force in Readiness, which
has brought honor to the Academy and the motion picture
industry |
|
To Fred L. Metzler for his dedication and outstanding
service to the Academy of Motion Picture Arts and Sciences |
|
To Jerome Robbins for his brilliant achievements
in the art of choreography on film |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
