|
1962 Ganadores y
Nominados
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| 1962 Oscars were held on April 8, 1963 at the Santa Monica
Civic Auditorium Host: Frank Sinatra
|
| Oscar a la mejor película |
Lawrence of Arabia, Sam Spiegel, producer
(Columbia) |
|
The Longest Day, Darryl F. Zanuck, producer (Twentieth
Century-Fox) |
|
Meredith Willson's the Music Man, Morton Da Costa,
producer (Warner Bros.) |
|
Mutiny on the Bounty, Aaron Rosenberg, producer
(MGM) |
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To Kill a Mockingbird, Alan J. Pakula, producer
(Universal-International) |
| Oscar al mejor actor |
Burt Lancaster, Birdman of Alcatraz |
|
Jack Lemmon, Days of Wine and Roses |
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Marcello Mastroianni, Divorce�Italian Style |
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Peter O'Toole, Lawrence of Arabia |
|
Gregory Peck, To Kill a Mockingbird |
| Oscar a la mejor actriz |
Anne Bancroft, The Miracle Worker |
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Bette Davis, What Ever Happened to Baby Jane? |
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Katharine Hepburn, Long Day's Journey Into Night |
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Geraldine Page, Sweet Bird of Youth |
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Lee Remick, Days of Wine and Roses |
| Oscar al mejor actor de reparto |
Ed Begley, Sweet Bird of Youth |
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Victor Buono, What Ever Happened to Baby Jane? |
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Telly Savalas, Birdman of Alcatraz |
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Omar Sharif, Lawrence of Arabia |
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Terence Stamp, Billy Budd |
| Oscar a la mejor actriz de reparto |
Mary Badham, To Kill a Mockingbird |
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Patty Duke, The Miracle Worker |
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Shirley Knight, Sweet Bird of Youth |
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Angela Lansbury, The Manchurian Candidate |
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Thelma Ritter, Birdman of Alcatraz |
| Oscar al mejor director |
Pietro Germi, Divorce�Italian Style |
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David Lean, Lawrence of Arabia |
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Robert Mulligan, To Kill a Mockingbird |
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Arthur Penn, The Miracle Worker |
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Frank Perry, David and Lisa |
| Guión |
| Screenplay Based on Material From Another Medium |
Robert Bolt, Lawrence of Arabia |
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Horton Foote, To Kill a Mockingbird |
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William Gibson, The Miracle Worker |
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Vladimir Nabokov, Lolita |
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Eleanor Perry, David and Lisa |
| Story and Screenplay Written Directly for the
Screen |
Ingmar Bergman, Through a Glass Darkly |
|
Ennio de Concini, Alfredo Giannetti and Pietro
Germi, Divorce�Italian Style |
|
Charles Kaufman, story; Charles Kaufman and Wolfgang
Reinhardt, screenplay, Freud |
|
Alain Robbe-Grillet, Last Year at Marienbad |
|
Stanley Shapiro and Nate Monaster, That Touch
of Mink |
|
| Oscar a la mejor fotografía |
| Black-and-White |
Jean Bourgoin and Walter Wottitz, The Longest
Day |
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Burnett Guffey, Birdman of Alcatraz |
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Ernest Haller, What Ever Happened to Baby Jane? |
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Russell Harlan, To Kill a Mockingbird |
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Ted McCord, Two for the Seesaw |
| Color |
Russell Harlan, Hataril |
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Harry Stradling, Sr., Gypsy |
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Robert L. Surtees, Mutiny on the Bounty |
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Paul C. Vogel, The Wonderful World of the Brothers
Grimm |
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Fred A. Young, Lawrence of Arabia |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
George W. Davis and Edward Carfagno, Oscar a la
mejor dirección de arte;
Henry Grace and Dick Pefferle, set decoration, Period
of Adjustment |
|
Alexander Golitzen and Henry Bumstead, Oscar
a la mejor dirección de arte; Oliver Emert, set decoration, To Kill
a Mockingbird |
|
Ted Haworth, Leon Barsacq and Vincent Korda,
Oscar a la mejor dirección de arte; Gabriel Bechir, set decoration, The
Longest Day |
|
Hal Pereira and Roland Anderson, Oscar a la
mejor dirección de arte;
Sam Comer and Frank R. McKelvy, set decoration,
The Pigeon That Took Rome |
|
Joseph Wright, Oscar a la mejor dirección de
arte; George James Hopkins,
set decoration, Days of Wine and Roses |
| Color |
John Box and John Stoll, Oscar a la mejor
dirección de arte; Dario
Simoni, set decoration, Lawrence of Arabia |
|
George W. Davis and Edward Carfagno, Oscar a la
mejor dirección de arte;
Henry Grace and Dick Pefferle, set decoration, The
Wonderful World of the Brothers Grimm |
|
Alexander Golitzen and Robert Clatworthy, Oscar
a la mejor dirección de arte; George Milo, set decoration, That
Touch of Mink |
|
Paul Groesse, Oscar a la mejor dirección de arte; George James Hopkins,
set decoration, Meredith Willson's The Music
Man |
|
Hugh Hunt, set decoration, Mutiny on the Bounty |
|
| Sound |
Shepperton Studio Sound Dept., John Cox, sound director,
Lawrence of Arabia |
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Universal City Studio Sound Dept., Waldon O. Watson,
sound director, That Touch of Mink |
|
Walt Disney Studio Sound Dept., Robert O. Cook, sound
director, Bon Voyage! |
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Warner Bros. Studio Sound Dept. and Glen Glenn Sound
Dept., Joseph Kelly, sound director, What Ever Happened
to Baby Jane? |
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Warner Bros. Studio Sound Dept., George R. Groves, sound
director, Meredith Willson's The Music Man |
| Music |
| Song |
�Days of Wine and Roses,� Days of Wine and
Roses, Henry Mancini, music; Johnny Mercer,
lyrics |
|
�Love Song From Mutiny on the Bounty� (Follow
Me), Mutiny on the Bounty, Bronislau Kaper,
music; Paul Francis Webster, lyrics |
|
�Song From Two for the Seesaw� (Second
Chance), Two for the Seesaw, Andr� Previn,
music; Dory Langdon, lyrics |
|
�Tender Is the Night,� Tender Is the Night,
Sammy Fain, music; Paul Francis Webster, lyrics |
|
�Walk on the Wild Side,� Walk on the Wild Side,
Elmer Bernstein, music; Mack David, lyrics |
| Musical Score, Substantially Original |
Elmer Bernstein, To Kill a Mockingbird |
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Jerry Goldsmith, Freud |
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Maurice Jarre, Lawrence of Arabia |
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Bronislau Kaper, Mutiny on the Bounty |
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Franz Waxman, Taras Bulba |
| Scoring of Music, Adaptation or Treatment |
Leigh Harline, The Wonderful World of the Brothers
Grimm |
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Ray Heindorf, Meredith Willson's The Music
Man |
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Michel Magne, Gigot |
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Frank Perkins, Gypsy |
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George Stoll, Billy Rose's Jumbo |
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| Film Editing |
Samuel E. Beetley, The Longest Day |
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Anne Coates, Lawrence of Arabia |
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John McSweeney, Jr., Mutiny on the Bounty |
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Ferrris Webster, The Manchurian Candidate |
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William Ziegler, Meredith Willson's The Music Man |
| Costume Design |
| Black-and-White |
Don Feld, Days of Wine and Roses |
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Edith Head, The Man Who Shot Liberty Valance |
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Norma Koch, What Ever Happened to Baby Jane? |
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Ruth Morley, The Miracle Worker |
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Denny Vachlioti, Phaedra |
| Color |
Edith Head, My Geisha |
|
Dorothy Jeakins, Meredith Willson's The Music
Man |
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Orry-Kelly, Gypsy |
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Bill Thomas, Bon Voyage! |
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Mary Wills, The Wonderful World of the Brothers
Grimm |
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| Special Effects |
A. Arnold Gillespie, visual; Milo Lory, audible, Mutiny
on the Bounty |
|
Robert MacDonald, visual; Jacques Maumont, audible,
The Longest Day |
| Short Subjects |
| Cartoon |
The Hole (Storyboard, Inc.; Brandon
Films) |
|
Icarus Montgolfier Wright (Format Films;
United Artists) |
|
Now Hear This (Looney Tune Series)
(Warner Bros. Cartoons, Inc.; Warner Bros.) |
|
Self-Defense�For Cowards (Self-Help
Series) (Rembrandt Films; Film Representations) |
|
Symposium on Popular Songs (Walt Disney
Productions; Buena Vista) |
| Live Action |
Big City Blues (Martina and Charles Huguenot
van der Linden, producers; Mayfair Pictures) |
|
The Cadillac (Robert Clouse Production;
United Producers Releasing) |
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The Cliff Dwellers (Formerly titled One
Plus One) (Group II Film Production; Lester
A. Schoenfeld Films) |
|
Heureux Anniversaire (Happy Anniversary)
(C.A.P.A.C. Productions; Atlantic Pictures Corp.) |
|
Pan (Herman van der Horst Production; Mayfair
Pictures) |
|
| Documentales |
| Short Subject |
Dylan Thomas (TWW Ltd.; Janus Films) |
|
The John Glenn Story (U.S. Navy; Warner
Bros.) |
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The Road to the Wall (CBS Films, Inc.;
U.S. Department of Defense) |
| Feature |
Alvorada (Brazil's Changing Face)
(Hugo Niebeling, producer; MW Filmproduktion) |
|
Black Fox (Image Productions, Inc.;
Heritage Films, Inc.) |
|
| Oscar a la mejor película extranjera |
Electra, Greece |
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The Four Days of Naples, Italy |
|
Keeper of Promises (The Given Word) Brazil |
|
Sundays and Cyb�le, France |
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Tlayucan, Mexico |
| Jean Hersholt Humanitarian Award |
Steve Broidy |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
