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1964 Ganadores y
Nominados
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| 1964 Oscars were held on April 5, 1965 at the SAnta MOnica
Civic Auditorium Host: Bob Hope
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| Oscar a la mejor película |
Becket, Hal B. Wallis, producer (Paramount) |
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Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb, Stanley Kubrick, producer (Columbia) |
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Mary Poppins, Walt Disney and Bill Walsh, producers
(Buena Vista) |
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My Fair Lady, Jack L. Warner, producer (Warner
Bros.) |
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Zorba the Greek, Michael Cacoyannis, producer
(International Classics) |
| Oscar al mejor actor |
Richard Burton, Becket |
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Rex Harrison, My Fair Lady |
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Peter O'Toole, Becket |
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Anthony Quinn, Zorba the Greek |
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Peter Sellers, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb |
| Oscar a la mejor actriz |
Julie Andrews, Mary Poppins |
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Anne Bancroft, The Pumpkin Eater |
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Sophia Loren, Marriage Italian Style |
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Debbie Reynolds, The Unsinkable Molly Brown |
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Kim Stanley, Seance on a Wet Afternoon |
| Oscar al mejor actor de reparto |
John Gielgud, Becket |
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Stanley Holloway, My Fair Lady |
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Edmond O'Brien, Seven Days in May |
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Lee Tracy, The Best Man |
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Peter Ustinov, Topkapi |
| Oscar a la mejor actriz de reparto |
Gladys Cooper, My Fair Lady |
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Dame Edith Evans, The Chalk Garden |
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Grayson Hall, The Night of the Iguana |
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Lila Kedrova, Zorba the Greek |
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Agnes Moorehead, Hush . . .Hush, Sweet Charlotte |
| Oscar al mejor director |
Michael Cacoyannis, Zorba the Greek |
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George Cukor, My Fair Lady |
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Peter Glenville, Becket |
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Stanley Kubrick, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb |
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Robert Stevenson, Mary Poppins |
| Guión |
| Screenplay Based on Material From Another Medium |
Edward Anhalt, Becket |
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Michael Cacoyannis, Zorba the Greek |
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Stanley Kubrick, Peter George and Terry Southern,
Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb |
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Alan Jay Lerner, My Fair Lady |
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Bill Walsh and Don DaGradi, Mary Poppins |
| Story and Screenplay Written Directly for the
Screen |
Age, Scarpelli and Mario Monicelli, The Organizer |
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S. H. Barnett, story; Peter Stone and Frank
Tarloff, screenplay, Father Goose |
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Orville H. Hampton, story; Orville H. Hampton
and Raphael Hayes, screenplay, One Potato, Two
Potato |
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Alun Owen, A Hard Day's Night |
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Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel
Boulanger and Philippe De Broca, That Man From
Rio |
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| Oscar a la mejor fotografía |
| Black-and-White |
Joseph Biroc, Hush . . .Hush, Sweet Charlotte |
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Gabriel Figueroa, The Night of the Iguana |
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Milton Krasner, Fate Is the Hunter |
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Walter Lassally, Zorba the Greek |
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Philip H. Lathrop, The Americanization of Emily |
| Color |
William H. Clothier, Cheyenne Autumn |
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Edward Colman, Mary Poppins |
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Daniel L. Fapp, The Unsinkable Molly Brown |
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Harry Stradling, My Fair Lady |
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Geoffrey Unsworth, Becket |
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| Oscar a la mejor dirección de arte |
| Black-and-White |
George W. Davis, Hans Peters and Elliot Scott,
Oscar a la mejor dirección de arte; Henry Grace and Robert R. Benton,
set decoration, The Americanization of Emily |
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Vassilis Fotopoulos, Zorba the Greek |
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William Glasgow, Oscar a la mejor dirección de
arte; Raphael Bretton,
set decoration, Hush . . .Hush, Sweet Charlotte |
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Stephen Grimes, The Night of the Iguana |
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Cary Odell, Oscar a la mejor dirección de arte; Edward G. Boyle, set
decoration, Seven Days in May |
| Color |
Gene Allen and Cecil Beaton, Oscar a la mejor
dirección de arte;
George James Hopkins, set decoration, My Fair
Lady |
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John Bryan and Maurice Carter, Oscar a la mejor
dirección de arte;
Patrick McLoughlin and Robert Cartwright, set decoration,
Becket |
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Carroll Clark and William H. Tuntke, Oscar a la
mejor dirección de arte;
Emile Kuri and Hal Gausman, set decoration, Mary
Poppins |
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George W. Davis and Preston Ames, Oscar a la
mejor dirección de arte;
Henry Grace and Hugh Hunt, set decoration, The
Unsinkable Molly Brown |
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Jack Martin Smith and Ted Haworth, Oscar a la
mejor dirección de arte;
Walter M. Scott and Stuart A. Reiss, set decoration,
What a Way to Go! |
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| Sound |
MGM Studio Sound Dept., The Unsinkable Molly Brown |
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Shepperton Studio Sound Dept., Becket |
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Universal City Studio Sound Dept., Father Goose |
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Walt Disney Studio Sound Dept., Mary Poppins |
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Warner Bros. Studio Sound Dept., My Fair Lady |
| Music |
| Song |
�Chim Chim Cher-ee,� Mary Poppins, Richard
M. Sherman and Robert B. Sherman, music and Iyrics |
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�Dear Heart,� Dear Heart, Henry Mancini,
music; Jay Livingston and Ray Evans, Iyrics |
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�Hush . . .Hush, Sweet Charlotte,� Hush . .
.Hush, Sweet Charlotte, Frank DeVol, music;
Mack David, Iyrics |
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�My Kind of Town,� Robin and the 7 Hoods,
James Van Heusen, music; Sammy Cahn, Iyrics |
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�Where Love Has Gone,� Where Love Has Gone,
James Van Heusen, music; Sammy Cahn, Iyrics |
| Musical Score, Substantially Original |
Frank DeVol, Hush . . .Hush, Sweet Charlotte |
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Henry Mancini, The Pink Panther |
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Laurence Rosenthal, Becket |
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Richard M. Sherman and Robert B. Sherman, Mary
Poppins |
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Dimitri Tiomkin, The Fall of the Roman Empire |
| Scoring of Music, Adaptation or Treatment |
Robert Armbruster, Leo Arnaud, Jack Elliott, Jack
Hayes, Calvin Jackson and Irwin Kostal, Mary
Poppins |
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George Martin, A Hard Day's Night |
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Andr� Previn, My Fair Lady |
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Nelson Riddle, Robin and the 7 Hoods |
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Leo Shuken, The Unsinkable Molly Brown |
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| Film Editing |
Anne Coates, Becket |
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Ted J. Kent, Father Goose |
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Michael Luciano, Hush . . .Hush, Sweet Charlotte |
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Cotton Warburton, Mary Poppins |
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William Ziegler, My Fair Lady |
| Costume Design |
| Black-and-White |
Edith Head, A House Is Not a Home |
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Rene Hubert, The Visit |
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Dorothy Jeakins, The Night of the Iguana |
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Norma Koch, Hush . . .Hush, Sweet Charlotte |
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Howard Shoup, Kisses for My President |
| Color |
Cecil Beaton, My Fair Lady |
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Margaret Furse, Becket |
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Morton Haack, The Unsinkable Molly Brown |
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Edith Head and Moss Mabry, What a Way to Go! |
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Tony Walton, Mary Poppins |
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| Special Visual Effects |
Jim Danforth, 7 Faces of Dr. Lao |
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Peter Ellenshaw, Hamilton Luske and Eustace Lycett,
Mary Poppins |
| Sound Effects |
Robert L. Bratton, The Lively Set |
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Norman Wanstall, Goldfinger |
| Short Subjects |
| Cartoon |
Christmas Cracker (National Film Board
of Canada; Favorite Films of California) |
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How to Avoid Friendship (Self-Help Series)
(Rembrandt Films; Film Representations) |
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Nudnik #2 (Nudnik Series) (Rembrandt Films;
Film Representations) |
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The Pink Phink (Pink Panther Series)
(Mirisch-Geoffrey Productions; United Artists) |
| Live Action Subject |
Casals Conducts: 1964 (Thalia Films;
Beckman Film Corp.) |
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Help! My Snowman's Burning Down (Carson
Davidson Productions; Path� Contemporary Films) |
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The Legend of Jimmy Blue Eyes (Robert Clouse
Associates; Topaz Film Corp.) |
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| Documentales |
| Short Subject |
Breaking the Habit (American Cancer Society;
Modern Talking Picture Service) |
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Children Without (Guggenheim Productions;
National Education Association) |
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Kenojuak (National Film Board of Canada) |
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Nine From Little Rock (Guggenheim Productions;
U.S. Information Agency) |
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140 Days Under the World (New Zealand National
Film Unit; Rank Film Distributors of New Zealand) |
| Feature |
The Finest Hours (Le Vien Films, Ltd.;
Columbia) |
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Four Days in November (David L. Wolper
Productions; United Artists) |
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The Human Dutch (Bert Haanstra, producer;
Haanstra Filmproductie) |
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Jacques-Yves Cousteau's World Without Sun
(Filmad Les Requins Associes-Orsay-CEIAP; Columbia) |
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Over There, 1914�18 (Zodiac Productions;
Path� Contemporary Films) |
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| Oscar a la mejor película extranjera |
Raven's End, Sweden |
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Sallah, Israel |
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The Umbrellas of Cherbourg, France |
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Woman in the Dunes, Japan |
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Yesterday, Today and Tomorrow, Italy |
| Honorary Award |
To William Tuttle for his outstanding makeup
achievement for 7 Faces of Dr. Lao |
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Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
