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1965 Ganadores y
Nominados
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| 1965 Oscars were held at the Santa Monica Civic Auditorium
on April 18, 1966 Host: Bob Hope
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| Oscar a la mejor película |
Darling, Joseph Janni, producer (Embassy Pictures
Corp.) |
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Doctor Zhivago, Carlo Ponti, producer (MGM) |
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Ship of Fools, Stanley Kramer, producer (Columbia) |
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The Sound of Music, Robert Wise, producer
(Twentieth Century-Fox) |
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A Thousand Clowns, Fred Coe, producer (United
Artists) |
| Oscar al mejor actor |
Richard Burton, The Spy Who Came in From the Cold |
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Lee Marvin, Cat Ballou |
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Laurence Olivier, Othello |
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Rod Steiger, The Pawnbroker |
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Oskar Werner, Ship of Fools |
| Oscar a la mejor actriz |
Julie Andrews, The Sound of Music |
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Julie Christie, Darling |
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Samantha Eggar, The Collector |
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Elizabeth Hartman, A Patch of Blue |
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Simone Signoret, Ship of Fools |
| Oscar al mejor actor de reparto |
Martin Balsam, A Thousand Clowns |
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Ian Bannen, The Flight of the Phoenix |
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Tom Courtenay, Doctor Zhivago |
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Michael Dunn, Ship of Fools |
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Frank Finlay, Othello |
| Oscar a la mejor actriz de reparto |
Ruth Gordon, Inside Daisy Clover |
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Joyce Redman, Othello |
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Maggie Smith, Othello |
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Shelley Winters, A Patch of Blue |
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Peggy Wood, The Sound of Music |
| Oscar al mejor director |
David Lean, Doctor Zhivago |
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John Schlesinger, Darling |
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Hiroshi Teshigahara, Woman in the Dunes |
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Robert Wise, The Sound of Music |
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William Wyler, The Collector |
| Guión |
| Screenplay Based on Material From Another Medium |
Robert Bolt, Doctor Zhivago |
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Herb Gardner, A Thousand Clowns |
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Abby Mann, Ship of Fools |
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Stanley Mann and John Kohn, The Collector |
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Walter Newman and Frank R. Pierson, Cat Ballou |
| Story and Screenplay Written Directly for the
Screen |
Age, Scarpelli, Mario Monicelli, Tonino Guerra,
Giorgio Salvioni and Suso Cecchi D'Amico, Casanova
70 |
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Franklin Coen and Frank Davis, The Train |
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Jack Davies and Ken Annakin, Those Magnificent
Men in Their Flying Machines |
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Jacques Demy, The Umbrellas of Cherbourg |
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Frederic Raphael, Darling |
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| Oscar a la mejor fotografía |
| Black-and-White |
Robert Burks, A Patch of Blue |
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Loyal Griggs, In Harm's Way |
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Burnett Guffey, King Rat |
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Conrad Hall, Morituri |
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Ernest Laszlo, Ship of Fools |
| Color |
Russell Harlan, The Great Race |
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Ted McCord, The Sound of Music |
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William C. Mellor and Loyal Griggs, The Greatest
Story Ever Told |
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Leon Shamroy, The Agony and the Ecstasy |
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Freddie Young, Doctor Zhivago |
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| Oscar a la mejor dirección de arte |
| Black-and-White |
Robert Clatworthy, Oscar a la mejor dirección
de arte; Joseph Kish,
set decoration, Ship of Fools |
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George W. Davis and Urie McCleary, Oscar a la
mejor dirección de arte;
Henry Grace and Charles S. Thompson, set decoration,
A Patch of Blue |
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Hal Pereira, Tambi Larsen and Edward Marshall,
Oscar a la mejor dirección de arte; Josie MacAvin, set decoration, The
Spy Who Came in From the Cold |
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Hal Pereira and Jack Poplin, Oscar a la mejor
dirección de arte; Robert
Benton and Joseph Kish, set decoration, The Slender
Thread |
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Robert Emmet Smith, Oscar a la mejor dirección
de arte; Frank Tuttle,
set decoration, King Rat |
| Color |
John Box and Terry Marsh, Oscar a la mejor
dirección de arte; Dario
Simoni, set decoration, Doctor Zhivago |
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Robert Clatworthy, Oscar a la mejor dirección de
arte; George James
Hopkins, set decoration, Inside Daisy Clover |
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Richard Day, William Creber and David Hall,
Oscar a la mejor dirección de arte; Ray Moyer, Fred MacLean and Norman Rockett,
set decoration, The Greatest Story Ever Told |
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John DeCuir and Jack Martin Smith, Oscar a la
mejor dirección de arte;
Dario Simoni, set decoration, The Agony and the
Ecstasy |
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Boris Leven, Oscar a la mejor dirección de arte; Walter M. Scott and
Ruby Levitt, set decoration, The Sound of Music |
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| Sound |
MGM British Studio Sound Dept. and MGM Studio Sound
Dept., Doctor Zhivago |
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Twentieth Century-Fox Studio Sound Dept., The Agony
and the Ecstasy |
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Twentieth Century-Fox Studio Sound Dept. and Todd-AO
Sound Dept., The Sound of Music |
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Universal City Studio Sound Dept., Shenandoah |
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Warner Bros. Studio Sound Dept., The Great Race |
| Music |
| Song |
�The Ballad of Cat Ballou,� Cat Ballou,
Jerry Livingston, music; Mack David, lyrics |
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�I Will Wait for You,� The Umbrellas of Cherbourg,
Michel Legrand, music; Jacques Demy, lyrics |
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�The Shadow of Your Smile,� The Sandpiper,
Johnny Mandel, music; Paul Francis Webster, lyrics |
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�The Sweetheart Tree,� The Great Race,
Henry Mancini, music; Johnny Mercer, lyrics |
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�What's New, Pussycat?,� What's New, Pussycat?,
Burt Bacharach, music; Hal David, lyrics |
| Musical Score, Substantially Original |
Jerry Goldsmith, A Patch of Blue |
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Maurice Jarre, Doctor Zhivago |
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Michel Legrand and Jacques Demy, The Umbrellas
of Cherbourg |
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Alfred Newman, The Greatest Story Ever Told |
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Alex North, The Agony and the Ecstasy |
| Scoring of Music, Adaptation or Treatment |
DeVol, Cat Ballou |
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Irwin Kostal, The Sound of Music |
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Michel Legrand, The Umbrellas of Cherbourg |
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Lionel Newman and Alexander Courage, The Pleasure
Seekers |
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Don Walker, A Thousand Clowns |
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| Film Editing |
Michael Luciano, The Flight of the Phoenix |
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Charles Nelson, Cat Ballou |
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William Reynolds, The Sound of Music |
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Norman Savage, Doctor Zhivago |
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Ralph E. Winters, The Great Race |
| Costume Design |
| Black-and-White |
Julie Harris, Darling |
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Edith Head, The Slender Thread |
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Moss Mabry, Morituri |
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Howard Shoup, A Rage to Live |
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Bill Thomas and Jean Louis, Ship of Fools |
| Color |
Phyllis Dalton, Doctor Zhivago |
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Edith Head and Bill Thomas, Inside Daisy Clover |
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Dorothy Jeakins, The Sound of Music |
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Vittorio Nino Novarese, The Agony and the Ecstasy |
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Vittorio Nino Novarese and Marjorie Best, The
Greatest Story Ever Told |
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| Special Visual Effects |
J. McMillan Johnson, The Greatest Story Ever Told |
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John Stears, Thunderball |
| Sound Effects Editing |
Tregoweth Brown, The Great Race |
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Walter A. Rossi, Von Ryan's Express |
| Short Subjects |
| Cartoon |
Clay or the Origin of Species (Harvard
University; Path� Contemporary Films) |
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The Dot and the Line (Chuck Jones and
Les Goldman, producers; MGM) |
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The Thieving Magpie (La Gazza Ladra) (Giulio
Gianni-Emanuele Luzzati; Allied Artists) |
| Live Action |
The Chicken (Le Poulet) (Renn Productions;
Path� Contemporary Films) |
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Fortress of Peace (Lothar Wolff Productions
for Farner-Looser Films; Cinerama) |
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Skaterdater (Byway Productions; United
Artists) |
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Snow (British Transport Films in association
with Geoffrey Jones, Ltd.; Manson Distributing) |
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Time Piece (Muppets, Inc.; Path� Contemporary
Films) |
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| Documentales |
| Short Subject |
Mural on Our Street (Henry Street Settlement;
Path� Contemporary Films) |
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Ouverture (Mafilm Studios Production; Hungarofilm-Path�
Contemporary Films) |
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Point of View (Vision Associates Production;
National Tuberculosis Association) |
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To Be Alive! (Francis Thompson, producer;
Johnson Wax) |
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Yeats Country (Patrick Carey and Joe Mendoza,
producers; Aengus Films for the Dept. of External
Affairs of Ireland) |
| Feature |
The Battle of the Bulge . . .The Brave Rifles
(Laurence E. Mascott, producer; Mascott Productions) |
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The Eleanor Roosevelt Story (Sidney
Glazier Production; American International) |
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The Forth Road Bridge (Random Film Productions;
Shell-Mex and B.P. Film Library) |
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Let My People Go (Marshall Flaum, producer;
David L. Wolper Productions) |
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To Die in Madrid (Ancinex Productions;
Altura Films International) |
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| Oscar a la mejor película extranjera |
Blood on the Land, Greece |
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Dear John, Sweden |
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Kwaidan, Japan |
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Marriage Italian Style, Italy |
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The Shop on Main Street, Czechoslovakia |
| Irving G. Thalberg Memorial Award |
William Wyler |
| Jean Hersholt Humanitarian Award |
Edmond L. DePatie |
| Honorary Award |
To Bob Hope for unique and distinguished service
to our industry and the Academy |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
