|
1966 Ganadores y
Nominados
|
|
 |
- 1966 Oscars were held at the Santa MOnica Civic Auditorium
on April 10, 1967
- Host: Bob Hope
|
| Oscar a la mejor película |
Alfie, Lewis Gilbert, producer (Paramount) |
|
A Man for All Seasons, Fred Zinnemann, producer
(Columbia) |
|
The Russians Are Coming, The Russians Are Coming,
Norman Jewison, producer (United Artists) |
|
The Sand Pebbles, Robert Wise, producer (Twentieth
Century-Fox) |
|
Who's Afraid of Virginia Woolf? Ernest Lehman,
producer (Warner Bros.) |
| Oscar al mejor actor |
Alan Arkin, The Russians Are Coming, The Russians
Are Coming |
|
Richard Burton, Who's Afraid of Virginia Woolf? |
|
Michael Caine, Alfie |
|
Steve McQueen, The Sand Pebbles |
|
Paul Scofield, A Man for All Seasons |
| Oscar a la mejor actriz |
Anouk Aim�e, A Man and a Woman |
|
Ida Kaminska, The Shop on Main Street |
|
Lynn Redgrave, Georgy Girl |
|
Vanessa Redgrave, Morgan! |
|
Elizabeth Taylor, Who's Afraid of Virginia Woolf? |
| Oscar al mejor actor de reparto |
Mako, The Sand Pebbles |
|
James Mason, Georgy Girl |
|
Walter Matthau, The Fortune Cookie |
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George Segal, Who's Afraid of Virginia Woolf? |
|
Robert Shaw, A Man for All Seasons |
| Oscar a la mejor actriz de reparto |
Sandy Dennis, Who's Afraid of Virginia Woolf? |
|
Wendy Hiller, A Man for All Seasons |
|
Jocelyne Lagarde, Hawaii |
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Vivien Merchant, Alfie |
|
Geraldine Page, You're a Big Boy Now |
| Oscar al mejor director |
Michelangelo Antonioni, Blow-Up |
|
Richard Brooks, The Professionals |
|
Claude Lelouch, A Man and a Woman |
|
Mike Nichols, Who's Afraid of Virginia Woolf? |
|
Fred Zinnemann, A Man for All Seasons |
| Guión |
| Screenplay Based on Material From Another Medium |
Robert Bolt, A Man for All Seasons |
|
Richard Brooks, The Professionals |
|
Ernest Lehman, Who's Afraid of Virginia Woolf? |
|
Bill Naughton, Alfie |
|
William Rose, The Russians Are Coming, The
Russians Are Coming |
| Story and Screenplay Written Directly for the
Screen |
Michelangelo Antonioni, story; Michelangelo Antonioni,
Tonino Guerra and Edward Bond, Blow-Up |
|
Robert Ardrey, Khartoum |
|
Clint Johnston and Don Peters, The Naked Prey |
|
Claude Lelouch, story; Pierre Uytterhoeven
and Claude Lelouch, screenplay, A Man and a Woman |
|
Billy Wilder and I. A. L. Diamond, The Fortune
Cookie |
|
| Oscar a la mejor fotografía |
| Black-and-White |
Marcel Grignon, Is Paris Burning? |
|
Ken Higgins, Georgy Girl |
|
James Wong Howe, Seconds |
|
Joseph LaShelle, The Fortune Cookie |
|
Haskell Wexler, Who's Afraid of Virginia
Woolf? |
| Color |
Conrad Hall, The Professionals |
|
Russell Harlan, Hawaii |
|
Ernest Laszlo, Fanastic Voyage |
|
Joseph MacDonald, The Sand Pebbles |
|
Ted Moore, A Man for All Seasons |
|
| Oscar a la mejor dirección de arte |
| Black-and-White |
George W. Davis and Paul Groesse, Oscar a la
mejor dirección de arte;
Henry Grace and Hugh Hunt, set decoration, Mister
Buddwing |
|
Willy Holt, Oscar a la mejor dirección de arte; Marc Frederix and Pierre
Guffroy, set decoration, Is Paris Burning? |
|
Robert Luthardt, Oscar a la mejor dirección de
arte; Edward G. Boyle,
set decoration, The Fortune Cookie |
|
Luigi Scaccianoce, Oscar a la mejor dirección de
arte, The Gospel
According to St. Matthew |
|
Richard Sylbert, Oscar a la mejor dirección
de arte; George James
Hopkins, set decoration, Who's Afraid of Virginia
Woolf? |
| Color |
Piero Gherardi, Oscar a la mejor dirección de
arte, Juliet of the
Spirits |
|
Alexander Golitzen and George C. Webb, Oscar a
la mejor dirección de arte;
John McCarthy and John Austin, set decoration, Gambit |
|
Boris Leven, Oscar a la mejor dirección de arte; Walter M. Scott, John
Sturtevant and William Kiernan, set decoration,
The Sand Pebbles |
|
Hal Pereira and Arthur Lonergan, Oscar a la
mejor dirección de arte;
Robert Benton and James Payne, set decoration, The
Oscar |
|
Jack Martin Smith and Dale Hennesy, Oscar a
la mejor dirección de arte;
Walter M. Scott and Stuart A. Reiss, set decoration,
Fantastic Voyage |
|
| Sound |
MGM Studio Sound Dept., Grand Prix |
|
Samuel Goldwyn Studio Sound Dept., Hawaii |
|
Twentieth Century-Fox Studio Sound Dept., The Sand
Pebbles |
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Universal City Studio Sound Dept., Gambit |
|
Warner Bros. Studio Sound Dept., Who's Afraid of
Virginia Woolf? |
| Music |
| Song |
�Alfie,� Alfie, Burt Bacharach, music;
Hal David, lyrics |
|
�Born Free,� Born Free, John Barry,
music; Don Black, lyrics |
|
�Georgy Girl,� Georgy Girl, Tom Springfield,
music; Jim Dale, lyrics |
|
�My Wishing Doll,� Hawaii, Elmer Bernstein,
music; Mack David, lyrics |
|
�A Time for Love,� An American Dream, Johnny
Mandel, music; Paul Francis Webster, lyrics |
| Original Music Score |
John Barry, Born Free |
|
Elmer Bernstein, Hawaii |
|
Jerry Goldsmith, The Sand Pebbles |
|
Toshiro Mayuzumi, The Bible |
|
Alex North, Who's Afraid of Virginia Woolf? |
| Scoring of Music, Adaptation or Treatment |
Luis Enrique Bacalov, The Gospel According
to St. Matthew |
|
Elmer Bernstein, Return of the Seven |
|
Al Ham, Stop the World�I Want to Get Off |
|
Harry Sukman, The Singing Nun |
|
Ken Thorne, A Funny Thing Happened on the
Way to the Forum |
|
| Film Editing |
Hal Ashby and J. Terry Williams, The Russians Are
Coming, The Russians Are Coming |
|
William B. Murphy, Fantastic Voyage |
|
Sam O'Steen, Who's Afraid of Virginia Woolf? |
|
William Reynolds, The Sand Pebbles |
|
Fredric Steinkamp, Henry Berman, Stewart Linder and
Frank Santillo, Grand Prix |
| Costume Design |
| Black-and-White |
Danilo Donati, The Gospel According to St.
Matthew |
|
Danilo Donati, Mandragola |
|
Jocelyn Rickards, Morgan! |
|
Helen Rose, Mister Buddwing |
|
Irene Sharaff, Who's Afraid of Virginia
Woolf? |
| Color |
Piero Gherardi, Juliet of the Spirits |
|
Elizabeth Haffenden and Joan Bridge, A Man
for All Seasons |
|
Edith Head, The Oscar |
|
Dorothy Jeakins, Hawaii |
|
Jean Louis, Gambit |
|
| Special Visual Effects |
Art Cruickshank, Fantastic Voyage |
|
Linwood G. Dunn, Hawaii |
| Sound Effects |
Gordon Daniel, Grand Prix |
|
Walter Rossi, Fantastic Voyage |
| Short Subjects |
| Cartoon |
The Drag (National Film Board of Canada;
Favorite Films of California) |
|
Herb Alpert and the Tijuana Brass Double
Feature (I Feel Special Series) (Hubley Studios;
Paramount) |
|
The Pink Blueprint (Pink Panther Series)
(Mirisch-Geoffrey-DePatie-Freleng; United Artists) |
| Live Action |
Turkey the Bridge (Samaritan Productions;
Schoenfeld Films) |
|
Wild Wings (British Transport Films;
Manson Distributing) |
|
The Winning Strain (Sports in Action
Series) (Winik Films; Paramount) |
|
| Documentales |
| Short Subject |
Adolescence (Marin Karmitz and Vladimir
Forgency, producers; M.K. Productions) |
|
Cowboy (Ahnemann /Schlosser Productions;
U.S. Information Agency) |
|
The Odds Against (Vision Associates Production;
American Foundation Institute of Corrections) |
|
Saint Matthew Passion (Mafilm Studios Production;
Hungarofilm) |
|
A Year Toward Tomorrow (Sun Dial Films,
Inc.; Office of Economic Opportunity) |
| Feature |
The Face of Genius (WBZ-TV, Group W, Boston) |
|
Helicopter Canada (National Film Board
of Canada Centennial Commission; National Film Board
of Canada) |
|
Le Volcan Interdit (The Forbidden Volcano)
(Cine Documents Tazieff; Athos Films) |
|
The Really Big Family (Alex Grasshoff,
producer; David L. Wolper Production) |
|
The War Game (BBC Production for the
British Film Institute; Path� Contemporary Films) |
|
| Oscar a la mejor película extranjera |
The Battle of Algiers, Italy |
|
Loves of a Blonde, Czechoslovakia |
|
A Man and a Woman, France |
|
Pharaoh, Poland |
|
Three, Yugoslavia |
| Irving G. Thalberg Memorial Award |
Robert Wise |
| Jean Hersholt Humanitarian Award |
George Bagnall |
| Honorary Awards |
To Y. Frank Freeman for unusual and outstanding
service to the Academy during his 30 years in Hollywood |
|
To Yakima Canutt for achievements as a stuntman
and for developing safety devices to protect stuntmen
everywhere |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
