|
 |
| 1979 Oscars were presented on April 14, 1980 at the Dorothy
Chandler Pavilion Host: Johnny Carson |
| Oscar a la mejor película |
All That Jazz, Robert Alan Aurthur, producer
(Twentieth Century-Fox) |
|
Apocalypse Now, Francis Coppola, producer; Fred
Roos, Gray Frederickson and Tom Sternberg, co-producers
(United Artists) |
|
Breaking Away, Peter Yates, producer (Twentieth
Century-Fox) |
|
Kramer vs. Kramer, Stanley R. Jaffe, producer
(Columbia) |
|
Norma Rae, Tamara Asseyev and Alex Rose, producers
(Twentieth Century-Fox) |
| Oscar al mejor actor |
Dustin Hoffman, Kramer vs. Kramer |
|
Jack Lemmon, The China Syndrome |
|
Al Pacino, . . .And Justice for All |
|
Roy Scheider, All That Jazz |
|
Peter Sellers, Being There |
| Oscar a la mejor actriz |
Jill Clayburgh, Starting Over |
|
Sally Field, Norma Rae |
|
Jane Fonda, The China Syndrome |
|
Marsha Mason, Chapter Two |
|
Bette Midler, The Rose |
| Oscar al mejor actor de reparto |
Melvyn Douglas, Being There |
|
Robert Duvall, Apocalypse Now |
|
Frederic Forrest, The Rose |
|
Justin Henry, Kramer vs. Kramer |
|
Mickey Rooney, The Black Stallion |
| Oscar a la mejor actriz de reparto |
Jane Alexander, Kramer vs. Kramer |
|
Barbara Barrie, Breaking Away |
|
Candice Bergen, Starting Over |
|
Mariel Hemingway, Manhattan |
|
Meryl Streep, Kramer vs. Kramer |
| Oscar al mejor director |
Robert Benton, Kramer vs. Kramer |
|
Francis Coppola, Apocalypse Now |
|
Bob Fosse, All That Jazz |
|
Edouard Molinaro, La Cage aux Folles |
|
Peter Yates, Breaking Away |
| Guión |
| Screenplay Written Directly for the Screen |
Woody Allen and Marshall Brickman, Manhattan |
|
Robert Alan Aurthur and Bob Fosse, All That
Jazz |
|
Valerie Curtin and Barry Levinson, . . .And
Justice for All |
|
Mike Gray, T.S. Cook and James Bridges, The
China Syndrome |
|
Steve Tesich, Breaking Away |
| Screenplay Based on Material From Another Medium |
Robert Benton, Kramer vs. Kramer |
|
Allan Burns, A Little Romance |
|
John Milius and Francis Coppola, Apocalypse
Now |
|
Irving Ravetch and Harriet Frank, Jr., Norma
Rae |
|
Francis Veber, Edouard Molinaro, Marcello Danon
and Jean Poiret, La Cage Aux Folles |
|
| Oscar a la mejor fotografía |
Nestor Almendros, Kramer vs. Kramer |
|
William A. Fraker, 1941 |
|
Frank Phillips, The Black Hole |
|
Giuseppe Rotunno, All That Jazz |
|
Vittorio Storaro, Apocalypse Now |
| Oscar a la mejor dirección de arte |
George Jenkins, Oscar a la mejor dirección de arte; Arthur Jeph Parker, set
decoration, The China Syndrome |
|
Harold Michelson, Joe Jennings, Leon Harris and John
Vallone, Oscar a la mejor dirección de arte; Linda DeScenna, set decoration,
Star Trek�The Motion Picture |
|
Philip Rosenberg and Tony Walton, Oscar a la mejor
dirección de arte;
Edward Stewart and Gary Brink, set decoration, All
That Jazz |
|
Michael Seymour, Les Dilley and Roger Christian, Oscar
a la mejor dirección de arte; lan Whittaker, set decoration, Alien |
|
Dean Tavoularis and Angelo Graham, Oscar a la mejor
dirección de arte; George
R. Nelson, set decoration, Apocalypse Now |
| Sound |
Robert Knudson, Robert J. Glass, Don MacDougall and
Gene S. Cantamessa, 1941 |
|
William McCaughey, Aaron Rochin, Michael J. Kohut and
Jack Solomon, Meteor |
|
Walter Murch, Mark Berger, Richard Beggs and Nat
Boxer, Apocalypse Now |
|
Arthur Piantadosi, Les Fresholtz, Michael Minkler and
Al Overton, The Electric Horseman |
|
Theodore Soderberg, Douglas Williams, Paul Wells and
Jim Webb, The Rose |
| Music |
| Original Song |
�I'll Never Say `Goodbye',� The Promise,
David Shire, music; Alan and Marilyn Bergman, lyrics |
|
�It Goes Like It Goes,� Norma Rae, music
by David Shire; lyrics by Norman Gimbel |
|
�It's Easy to Say,� 10, Henry Mancini,
music; Robert Wells, lyrics |
|
�The Rainbow Connection,� The Muppet Movie,
Paul Williams and Kenny Ascher, music and lyrics |
|
�Through the Eyes of Love,� Ice Castles,
Marvin Hamlisch, music; Carole Bayer Sager, lyrics |
| Original Score |
Georges Delerue, A Little Romance |
|
Jerry Goldsmith, Star Trek�The Motion Picture |
|
Dave Grusin, The Champ |
|
Henry Mancini, 10 |
|
Lalo Schifrin, The Amityville Horror |
| Original Song Score and Its Adaptation or Adaptation
Score |
Ralph Burns, All That Jazz |
|
Patrick Williams, Breaking Away |
|
Paul Williams and Kenny Ascher, song; Paul Williams,
adaptation, The Muppet Movie |
|
| Film Editing |
Robert Dalva, The Black Stallion |
|
Jerry Greenberg, Kramer vs. Kramer |
|
Alan Heim, All That Jazz |
|
Richard Marks, Walter Murch, Gerald B. Greenberg and
Lisa Fruchtmlan, Apocalypse Now |
|
Robert L. Wolfe and C. Timothy O'Meara, The Rose |
| Costume Design |
Judy Moorcroft, The Europeans |
|
Shirley Russell, Agatha |
|
William Ware Theiss, Butch and Sundance: The Early
Days |
|
Piero Tosi and Ambra Danon, La Cage aux Folles |
|
Albert Wolsky, All That Jazz |
| Visual Effects |
Peter Ellenshaw, Art Cruickshank, Eustace Lycett, Danny
Lee, Harrison Ellenshaw and Joe Hale, The Black Hole |
|
William A. Fraker, A. D. Flowers and Gregory Jein, 1941 |
|
H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder
and Denys Ayling, Alien |
|
Derek Meddings, Paul Wilson and John Evans, Moonraker |
|
Douglas Trumbull, John Dykstra, Richard Yuricich, Robert
Swarthe, Dave Stewart and Grant McCune, Star Trek�The
Motion Picture |
| Short Films |
| Animated |
Dream Doll (Bob Godfrey Films/Zagreb Films/Halas
and Batchelor; FilmWright) |
|
Every Child (Derek Lamb, producer; National
Film Board of Canada) |
|
It's So Nice to Have a Wolf Around the House
(Paul Fierlinger, producer; AR&T Productions
for Learning Corporation of America) |
| Live Action |
Board and Care (Sarah Pillsbury and
Ron Ellis, producers; Ron Ellis Films) |
|
Bravery in the Field (Roman Kroitor and
Stefan Wodoslawsky, producers; National Film Board
of Canada) |
|
Oh Brother, My Brother (Carol Lowell and
Ross Lowell, producers; Pyramid Films, Inc.) |
|
The Solar Film (Saul Bass and Michael Britton,
producers; Wildwood Enterprises Inc.) |
|
Solly's Diner (Harry Mathias, Jay Zukerman
and Larry Hankin, producers; Mathias/Zukerman/Hankin
Productions) |
|
| Documentales |
| Short Subject |
Dae (Risto Teofilovski, producer; Vardar
Film/Skopje) |
|
Koryo Celadon (Donald A. Connolly and James
R. Messenger, producers; Charlie/Papa Productions,
Inc.) |
|
Nails (Phillip Borsos, producer; National
Film Board of Canada) |
|
Paul Robeson: Tribute to an Artist (Saul
J. Turell, producer; Janus Films, Inc.) |
|
Remember Me (Dick Young, producer; Dick
Young Productions, Ltd.) |
| Feature |
Best Boy (Ira Wohl, producer; Only Child
Motion Pictures, Inc.) |
|
Generation on the Wind (David A. Vassar,
producer; More Than One Medium) |
|
Going the Distance (Paul Cowan and Jacques
Bobet, producers; National Film Board of Canada) |
|
The Killing Ground (Steve Singer and Tom
Priestley, producers; ABC News Closeup Unit) |
|
The War at Home (Glenn Silber and Barry
Alexander Brown, producers; Catalyst Films/Madison
Film Production Co.) |
|
| Oscar a la mejor película extranjera |
The Maids of Wilko, Poland |
|
Mama Turns a Hundred, Spain |
|
A Simple Story, France |
|
The Tin Drum, Federal Republic of Germany�West |
|
To Forget Venice, Italy |
| Irving G. Thalberg Memorial Award |
Ray Stark |
| Jean Hersholt Humanitarian Award |
Robert Benjamin |
| Honorary Awards |
To Hal Elias for his dedication and distinguished
service to the Academy of Motion Picture Arts and Sciences |
|
To Alec Guinness for advancing the art of screen
acting through a host of memorable and distinguished performances |
|
John O. Aalberg, Charles G. Clarke and John
G. Frayne in appreciation for outstanding service
and dedication in upholding the high standards of the
Academy of Motion Picture Arts and Sciences |
| Sound Editing |
Alan Splet, The Black Stallion |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
