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| 1984 Oscars were held on March 25, 1985 at the Dorothy
Chandler Pavilion Host: Jack Lemmon
|
| Oscar a la mejor película |
Amadeus, Saul Zaentz, producer (Orion) |
|
The Killing Fields, David Puttnam, producer (Warner
Bros.) |
|
A Passage to India, John Brabourne and Richard
Goodwin, producer (Columbia) |
|
Places in the Heart, Arlene Donovan, producer
(TriStar) |
|
A Soldier's Story, Norman Jewison, Ronald L.
Schwary and Patrick Palmer, producers (Columbia) |
| Oscar al mejor actor |
F. Murray Abraham, Amadeus |
|
Jeff Bridges, Starman |
|
Albert Finney, Under the Volcano |
|
Tom Hulce, Amadeus |
|
Sam Waterston, The Killing Fields |
| Oscar a la mejor actriz |
Judy Davis, A Passage to India |
|
Sally Field, Places in the Heart |
|
Jessica Lange, Country |
|
Vanessa Redgrave, The Bostonians |
|
Sissy Spacek, The River |
| Oscar al mejor actor de reparto |
Adolph Caesar, A Soldier's Story |
|
John Malkovich, Places in the Heart |
|
Noriyuki �Pat� Morita, The Karate Kid |
|
Haing S. Ngor, The Killing Fields |
|
Ralph Richardson, Greystoke: The Legend of Tarzan,
Lord of the Apes |
| Oscar a la mejor actriz de reparto |
Peggy Ashcroft, A Passage to India |
|
Glenn Close, The Natural |
|
Lindsay Crouse, Places in the Heart |
|
Christine Lahti, Swing Shift |
|
Geraldine Page, The Pope of Greenwich Village |
| Oscar al mejor director |
Woody Allen, Broadway Danny Rose |
|
Robert Benton, Places in the Heart |
|
Milos Forman, Amadeus |
|
Roland Joffe, The Killing Fields |
|
David Lean, A Passage to India |
| Guión |
| Screenplay Written Directly for the Screen |
Woody Allen, Broadway Danny Rose |
|
Robert Benton, Places in the Heart |
|
Lowell Ganz, Babaloo Mandel and Bruce Jay Friedman,
screenplay; Bruce Jay Friedman; screen story, Splash |
|
Gregory Nava and Anna Thomas, El Norte |
|
Daniel Petrie, Jr., screenplay; Danilo Bach and
Daniel Petrie, Jr., story, Beverly Hills Cop |
| Screenplay Based on Material From Another Medium |
Charles Fuller, A Soldier's Story |
|
David Lean, A Passage to India |
|
Bruce Robinson, The Killing Fields |
|
Peter Shaffer, Amadeus |
|
P.H. Vazak and Michael Austin, Greystoke: The
Legend of Tarzan, Lord of the Apes |
|
| Oscar a la mejor fotografía |
Ernest Day, A Passage to India |
|
Caleb Deschanel, The Natural |
|
Chris Menges, The Killing Fields |
|
Miroslav Ondricek, Amadeus |
|
Vilmos Zsigmond, The River |
| Oscar a la mejor dirección de arte |
John Box and Leslie Tomkins, Oscar a la mejor
dirección de arte; Hugh Scaife,
set decoration, A Passage to India |
|
Albert Brenner, Oscar a la mejor dirección de arte; Rick Simpson, set decoration,
2010 |
|
Angelo Graham and Mel Bourne, James J. Murakami and
Speed Hopkins, Oscar a la mejor dirección de arte; Bruch Weintraub, set decoration,
The Natural |
|
Richard Sylbert, Oscar a la mejor dirección de arte; George Gaines and Les
Bloom, set decoration, The Cotton Club |
|
Patrizia Von Brandenstein, Oscar a la mejor
dirección de arte; Karel Cerny,
set decoration, Amadeus |
| Sound |
Nick Alphin, Robert Thirwell, Richard Portman and David
Ronne, The River |
|
Mark Berger, Tom Scott, Todd Boekelheide and Chris
Newman, Amadeus |
|
Graham V. Hartstone, Nicolas Le Messurier, Michael A.
Carter and John Mitchell, A Passage to India |
|
Michael J. Kohut, Aaron Rochin, Carlos De Larios and
Gene S. Cantamessa, 2010 |
|
Bill Varney, Steve Maslow, Kevin O'Connell and Nelson
Stoll, Dune |
| Music |
| Original Song |
�Against All Odds� (Take a Look at Me Now), Against
All Odds, Phil Collins, music and lyrics |
|
�Footloose,� Footloose, Kenny Loggins and
Dean Pitchford, music and lyrics |
|
�Ghostbusters,� Ghostbusters, Ray Parker,
Jr., music and lyrics |
|
�I Just Called to Say I Love You,� The Woman
in Red, Stevie Wonder, music and lyrics |
|
�Let's Hear It for the Boy,� Footloose,
Dean Pitchford and Tom Snow, music and lyrics |
| Original Score |
Maurice Jarre, A Passage to India |
|
Randy Newman, The Natural |
|
Alex North, Under the Volcano |
|
John Williams, Indiana Jones and the Temple
of Doom |
|
John Williams, The River |
| Original Song Score |
Kris Kristofferson, Songwriter |
|
Jeffrey Moss, The Muppets Take Manhattan |
|
Prince, Purple Rain |
|
| Film Editing |
Donn Cambern and Frank Morriss, Romancing the Stone |
|
Jim Clark, The Killing Fields |
|
Nena Danevic and Michael Chandler, Amadeus |
|
David Lean, A Passage to India |
|
Barry Malkin and Robert Q. Lovett, The Cotton Club |
| Costume Design |
Jenny Beavan and John Bright, The Bostonians |
|
Judy Moorcroft, A Passage to India |
|
Patricia Norris, 2010 |
|
Theodor Pistek, Amadeus |
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Ann Roth, Places in the Heart |
| Makeup |
Rick Baker and Paul Engelen, Greystoke: The Legend
of Tarzan, Lord of the Apes |
|
Paul LeBlanc and Dick Smith, Amadeus |
|
Michael Westmore, 2010 |
| Visual Effects |
Richard Edlund, John Bruno, Mark Vargo and Chuck Gasper,
Ghostbusters |
|
Richard Edlund, Neil Krepela, George Jenson and Mark
Stetson, 2010 |
|
Dennis Muren, Michael McAlister, Lorne Peterson and
George Gibbs, Indiana Jones and the Temple of Doom |
| Short Films |
| Animated |
Charade (Jon Minnis, producer; Sheridan
College Production) |
|
Doctor De Soto (Morton Schindel and Michael
Sporn, producers; Michael Sporn Animation, Inc.) |
|
Paradise (Ishu Patel, producer; National
Film Board of Canada) |
| Live Action |
The Painted Door (Atlantis Films Ltd. in
association with the National Film Board of Canada) |
|
Tales of Meeting and Parting (Sharon Oreck
and Lesli Linka Glatter, producers; American Film
Institute�Oscar al mejor director Workshop for Women) |
|
Up (Mike Hoover, producer; Pyramid Films) |
|
| Documentales |
| Short Subject |
The Children of Soong Ching Ling (Gary
Bush and Paul T.K. Lin, producers; UNICEF and the
Soong Ching Ling Foundation) |
|
Code Gray: Ethical Dilemmas in Nursing
(Ben Achtenberg and Joan Sawyer, producers; The
Nursing Ethics Project/Fanlight Productions) |
|
The Garden of Eden (Lawrence R. Hott and
Roger M. Sherman, producers; Florentine Films Production) |
|
Recollections of Pavlovsk (Irina Kalinina,
producer; Leningrad Documentales Film Studio) |
|
The Stone Carvers (Marjorie Hunt and
Paul Wagner, producers, Paul Wagner Productions) |
| Feature |
High Schools (Charles Guggenheim and Nancy
Sloss, producers; Guggenheim Productions) |
|
In the Name of the People (Alex W. Drehsler
and Frank Christopher, producers; Pan American Films) |
|
Marlene (Zev Braun Pictures, Inc.; OKO
Film Produktion) |
|
Streetwise (Cheryl McCall, producer; Bear
Creek Productions, Inc.) |
|
The Times of Harvey Milk (Robert Epstein
and Richard Schmiechen, producers; Black Sand Educational
Productions, Inc.) |
|
| Oscar a la mejor película extranjera |
Beyond the Walls, Israel |
|
Camila, Argentina |
|
Dangerous Moves, Switzerland |
|
Double Feature, Spain |
|
Wartime Romance, U.S.S.R. |
| Jean Hersholt Humanitarian Award |
David L. Wolper |
| Honorary Awards |
To the National Endowment for the Arts in recognition
of its 20th anniversary and its dedication to fostering
artistic and creative activity and excellence in every
area of the arts |
|
To James Stewart for 50 years of memorable performances
and for his high ideals, both on and off the screen, with
the respect and affection of his colleagues |
| Sound Effects Editing |
Kay Rose, The River |
|
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
