|
 |
| 1987 Oscars were held on April 11, 1988 at the Los Angelos
Shrine Auditorium Host: Chevy Chase
|
| Oscar a la mejor película |
Broadcast News, James L. Brooks, producer (Twentieth
Century-Fox) |
|
Fatal Attraction, Stanley R. Jaffe and Sherry
Lansing, producers (Paramount) |
|
Hope and Glory, John Boorman, producer (Columbia) |
|
The Last Emperor, Jeremy Thomas, producer
(Columbia) |
|
Moonstruck, Patrick Palmer and Norman Jewison,
producers (MGM) |
| Oscar al mejor actor |
Michael Douglas, Wall Street |
|
William Hurt, Broadcast News |
|
Marcello Mastroianni, Dark Eyes |
|
Jack Nicholson, Ironweed |
|
Robin Williams, Good Morning, Vietnam |
| Oscar a la mejor actriz |
Cher, Moonstruck |
|
Glenn Close, Fatal Attraction |
|
Holly Hunter, Broadcast News |
|
Sally Kirkland, Anna |
|
Meryl Streep, Ironweed |
| Oscar al mejor actor de reparto |
Albert Brooks, Broadcast News |
|
Sean Connery, The Untouchables |
|
Morgan Freeman, Street Smart |
|
Vincent Gardenia, Moonstruck |
|
Denzel Washington, Cry Freedom |
| Oscar a la mejor actriz de reparto |
Norma Aleandro, Gaby�A True Story |
|
Anne Archer, Fatal Attraction |
|
Olympia Dukakis, Moonstruck |
|
Anne Ramsey, Throw Momma From the Train |
|
Ann Sothern, The Whales of August |
| Oscar al mejor director |
Bernardo Bertolucci, The Last Emperor |
|
John Boorman, Hope and Glory |
|
Lasse Hallstr�m, My Life as a Dog |
|
Norman Jewison, Moonstruck |
|
Adrian Lyne, Fatal Attraction |
| Guión |
| Screenplay Written Directly for the Screen |
Woody Allen, Radio Days |
|
John Boorman, Hope and Glory |
|
James L. Brooks, Broadcast News |
|
Louis Malle, Au Revoir les Enfants |
|
John Patrick Shanley, Moonstruck |
| Screenplay Based on Material From Another Medium |
James Dearden, Fatal Attraction |
|
Lasse Hallstr�m, Reidar J� nsson, Brasse Br�nnstr�m
and Per Berglund, My Life as a Dog |
|
Tony Huston, The Dead |
|
Stanley Kubrick, Michael Herr and Gustav Hasford,
Full Metal Jacket |
|
Mark Peploe and Bernardo Bertolucci, The
Last Emperor |
|
| Oscar a la mejor fotografía |
Michael Ballhaus, Broadcast News |
|
Allen Daviau, Empire of the Sun |
|
Philippe Rousselot, Hope and Glory |
|
Vittorio Storaro, The Last Emperor |
|
Haskell Wexler, Matewan |
| Oscar a la mejor dirección de arte |
Santo Loquasto, Oscar a la mejor dirección de arte; Carol Joffe, Les Bloom
and George DeTitta, Jr., set decoration, Radio Days |
|
Anthony Pratt, Oscar a la mejor dirección de arte; Joan Woolard, set decoration,
Hope and Glory |
|
Norman Reynolds, Oscar a la mejor dirección de arte; Harry Cordwell, set
decoration, Empire of the Sun |
|
Ferdinando Scarfiotti, Oscar a la mejor dirección
de arte; Bruno Cesari
and Osvaldo Desideri, set decoration, The Last Emperor |
|
Patrizia Von Brandenstein and William A. Elliot, Oscar
a la mejor dirección de arte; Hal Gausman, set decoration, The Untouchables |
| Sound |
Wayne Artman, Tom Beckert, Tom Dahl and Art Rochester,
The Witches of Eastwick |
|
Les Fresholtz, Dick Alexander, Vern Poore and Bill Nelson,
Lethal Weapon |
|
Robert Knudson, Don Digirolamo, John Boyde and Tony
Dawe, Empire of the Sun |
|
Michael J. Kohut, Carlos de Larios, Aaron Rochin and
Robert Wald, RoboCop |
|
Bill Rowe and Ivan Sharrock, The Last Emperor |
| Music |
| Song |
�Cry Freedom,� Cry Freedom, George Fenton
and Jonas Gwangwa, music and lyrics |
|
�(I've Had) The Time of My Life,� Dirty
Dancing, Franke Previte, John DeNicola and Donald
Markowitz, music; Franke Previte, lyrics |
|
�Nothing's Gonna Stop Us Now,� Mannequin,
Albert Hammond and Diane Warren, music and lyrics |
|
�Shakedown,� Beverly Hills Cop II, Harold
Faltermeyer and Keith Forsey, music; Harold Faltermeyer,
Keith Forsey and Bob Seger, lyrics |
|
�Storybook Love,� The Princess Bride, Willy
DeVille, music and lyrics |
| Original Score |
George Fenton and Jonas Gwangwa, Cry Freedom |
|
Ennio Morricone, The Untouchables |
|
Ryuichi Sakamoto, David Byrne and Cong Su,
The Last Emperor |
|
John Williams, Empire of the Sun |
|
John Williams, The Witches of Eastwick |
|
| Film Editing |
Gabriella Cristiani, The Last Emperor |
|
Michael Kahn, Empire of the Sun |
|
Michael Kahn and Peter E. Berger, Fatal Attraction |
|
Richard Marks, Broadcast News |
|
Frank J. Urioste, RoboCop |
| Costume Design |
James Acheson, The Last Emperor |
|
Jenny Beavan and John Bright, Maurice |
|
Dorothy Jeakins, The Dead |
|
Bob Ringwood, Empire of the Sun |
|
Marilyn Vance-Straker, The Untouchables |
| Makeup |
Rick Baker, Harry and the Hendersons |
|
Bob Laden, Happy New Year |
| Visual Effects |
Joel Hynek, Robert M. Greenberg, Richard Greenberg and
Stan Winston, Predator |
|
Dennis Muren, William George, Harley Jessup and Kenneth
Smith, Innerspace |
| Short Films |
| Animated |
George and Rosemary (Eunice Macaulay, producer;
National Film Board of Canada) |
|
The Man Who Planted Trees (Fr�d�ric
Back, producer; Soci�t� Radio-Canada/Canadian Broadcasting
Corporation) |
|
Your Face (Bill Plympton, producer; Bill
Plympton Productions) |
| Live Action |
Making Waves (Ann Wingate, producer; The
Production Pool Ltd.) |
|
Ray's Male Heterosexual Dance Hall (Jonathan
Sanger and Jana Sue Memel, producers; Chanticleer
Films) |
|
Shoeshine (Robert A. Katz, producer; Tom
Abrams Productions) |
|
| Documentales |
| Short Subject |
Frances Steloff: Memoirs of a Bookseller
(Deborah Dickson, producer; Winterlude Films, Inc.
Production) |
|
In the Wee Wee Hours . . .(Dr. Frank Daniel
and Izak Ben-Meir, producers; University of Southern
California School of Cinema/Television) |
|
Languge Says It All (Megan Williams, producer;
Tripod Production) |
|
Silver Into Gold (Lynn Mueller, producer;
Stanford University Department of Communications) |
|
Young at Heart (Sue Marx and Pamela
Conn, producers; Sue Marx Films, Inc. Production) |
| Feature |
Eyes on the Prize: America's Civil Rights Years/Bridge
to Freedom 1965 (Callie Crossley and James A.
DeVinney, producers; Blackside, Inc. Production) |
|
Hellfire: A Journey From Hiroshima (John
Junkerman and John W. Dower, producers; Muraki Film
Project) |
|
Radio Bikini (Robert Stone, producer; Crossroads
Film Project, Ltd.) |
|
A Stitch for Time (Barbara Herbich and
Cyril Christo, producers; Peace Quilters Production
Company, Inc.) |
|
The Ten-Year Lunch: The Wit and Legend of
the Algonquin Round Table (Aviva Slesin, producer;
Aviva Films) |
|
| Oscar a la mejor película extranjera |
Au Revoir les Enfants (Goodbye, Children),
France |
|
Babette's Feast, Denmark |
|
Course Completed, Spain |
|
The Family, Italy |
|
Pathfinder, Norway |
| Irving G. Thalberg Memorial Award |
Billy Wilder |
| Sound Effects Editing |
Stephen Flick and John Pospisil, RoboCop |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
