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| 1990 Oscars were held on March 25, 1991 at the Shrine
Auditorium Host: Billy Crystal
According to the PCM notebook, the last western to win
a Oscar a la mejor película Oscar before Dances With Wolves was
1931's Cimarron |
| Oscar a la mejor película |
Awakenings, Walter F. Parkes and Lawrence Lasker,
producers (Columbia) |
|
Dances With Wolves, Jim Wilson and Kevin Costner,
producers (Orion) |
|
Ghost, Lisa Weinstein, producer (Paramount) |
|
The Godfather Part III, Francis Ford Coppola,
producer (Paramount) |
|
GoodFellas, Irwin Winkler, producer (Warner Bros.) |
|
|
| Oscar al mejor actor |
Kevin Costner, Dances With Wolves |
|
Robert De Niro, Awakenings |
|
G�rard Depardieu, Cyrano de Bergerac |
|
Richard Harris, The Field |
|
Jeremy Irons, Reversal of Fortune |
| Oscar a la mejor actriz |
Kathy Bates, Misery |
|
Anjelica Huston, The Grifters |
|
Julia Roberts, Pretty Woman |
|
Meryl Streep, Postcards From the Edge |
|
Joanne Woodward, Mr. & Mrs. Bridge |
| Oscar al mejor actor de reparto |
Bruce Davison, Longtime Companion |
|
Andy Garcia, The Godfather Part III |
|
Graham Greene, Dances With Wolves |
|
Al Pacino, Dick Tracy |
|
Joe Pesci, GoodFellas |
| Oscar a la mejor actriz de reparto |
Annette Bening, The Grifters |
|
Lorraine Bracco, GoodFellas |
|
Whoopi Goldberg, Ghost |
|
Diane Ladd, Wild at Heart |
|
Mary McDonnell, Dances With Wolves |
| Oscar al mejor director |
Francis Ford Coppola, The Godfather Part III |
|
Kevin Costner, Dances With Wolves |
|
Stephen Frears, The Grifters |
|
Barbet Schroeder, Reversal of Fortune |
|
Martin Scorsese, GoodFellas |
| Guión |
| Screenplay Written Directly for the Screen |
Woody Allen, Alice |
|
Barry Levinson, Avalon |
|
Bruce Joel Rubin, Ghost |
|
Whit Stillman, Metropolitan |
|
Peter Weir, Green Card |
| Screenplay Based on Material From Another Medium |
Michael Blake, Dances With Wolves |
|
Nicholas Kazan, Reversal of Fortune |
|
Nicholas Pileggi and Martin Scorsese, GoodFellas |
|
Donald E. Westlake, The Grifters |
|
Steven Zaillian, Awakenings |
|
| Oscar a la mejor fotografía |
Allen Daviau, Avalon |
|
Philippe Rousselot, Henry & June |
|
Dean Semler, Dances With Wolves |
|
Vittorio Storaro, Dick Tracy |
|
Gordon Willis, The Godfather Part III |
| Oscar a la mejor dirección de arte |
Jeffrey Beecroft, Oscar a la mejor dirección de arte; Lisa Dean, set decoration,
Dances With Wolves |
|
Dante Ferretti, Oscar a la mejor dirección de arte; Francesca Lo Schiavo,
set decoration, Hamlet |
|
Ezio Frigerio, Oscar a la mejor dirección de arte; Jacques Rouxel, set decoration,
Cyrano de Bergerac |
|
Richard Sylbert, Oscar a la mejor dirección de arte; Rick Simpson, set
decoration, Dick Tracy |
|
Dean Tavoularis, Oscar a la mejor dirección de arte; Gary Fettis, set decoration,
The Godfather Part III |
| Sound |
Don Bassman, Richard Overton, Kevin F. Cleary and Richard
Bryce Goodman, The Hunt for Red October |
|
Chris Jenkins, David E. Campbell, D. M. Hemphill and
Thomas Causey, Dick Tracy |
|
Michael J. Kohut, Carlos de Larios, Aaron Rochin and
Nelson Stoll, Total Recall |
|
Donald O. Mitchell, Rick Kline, Kevin O'Connell and
Charles Wilborn, Days of Thunder |
|
Jeffrey Perkins, Bill W. Benton, Greg Watkins and
Russell Williams II, Dances With Wolves |
| Music |
| Song |
�Blaze of Glory,� Young Guns II, Jon Bon
Jovi, music and lyrics |
|
�I'm Checkin' Out,� Postcards From the Edge,
Shel Silverstein, music and lyrics |
|
�Promise Me You'll Remember,� The Godfather
Part III, Carmine Coppola, music; John Bettis,
lyrics |
|
�Somewhere in My Memory,� Home Alone, music
by John Williams; lyrics by Leslie Bricusse |
|
�Sooner Or Later� (I Always Get My Man), Dick
Tracy, Stephen Sondheim, music and lyrics] |
| Original Score |
John Barry, Dances With Wolves |
|
David Grusin, Havana |
|
Maurice Jarre, Ghost |
|
Randy Newman, Avalon |
|
John Williams, Home Alone |
|
| Film Editing |
Barry Malkin, Lisa Fruchtmlan and Walter Murch, The
Godfather Part III |
|
Walter Murch, Ghost |
|
Thelma Schoonmaker, GoodFellas |
|
Neil Travis, Dances With Wolves |
|
Dennis Virkler, John Wright, The Hunt for Red October |
| Costume Design |
Milena Canonero, Dick Tracy |
|
Gloria Gresham, Avalon |
|
Maurizio Millenotti, Hamlet |
|
Franca Squarciapino, Cyrano de Bergerac |
|
Elsa Zamparelli, Dances With Wolves |
| Makeup |
Mich�le Burke and Jean-Pierre Eychenne, Cyrano de
Bergerac |
|
John Caglione, Jr. and Doug Drexler, Dick Tracy |
|
Ve Neill and Stan Winston, Edward Scissorhands |
| Sound Effects Editing |
Charles L. Campbell and Richard Franklin, Flatliners |
|
Stephen H. Flick, Total Recall |
|
Cecelia Hall and George Watters II, The Hunt for
Red October |
| Short Films |
| Animation |
Creature Comforts (Nick Park, producer;
Aardman Animations Ltd. Production) |
|
A Grand Day Out (Nick Park, producer; National
Film and Television School) |
|
Grasshoppers (Cavallette) (Bruno Bozzetto,
producer; Bruno Bozzetto Production) |
| Live Action |
Bronx Cheers (Raymond De Felitta and Matthew
Gross, producers; American Film Institute) |
|
Dear Rosie (Peter Cattaneo and Barnaby
Thompson, producers; World's End Production) |
|
The Lunch Date (Adam Davidson, producer;
Adam Davidson Production) |
|
Senzeni Na? (What Have We Done?) (Bernard
Joffa and Anthony E. Nicholas, producers; American
Film Institute) |
|
12: 01 P.M. (Hillary Ripps and Jonathan
Heap, producers; Chanticleer Films) |
|
| Documentales |
| Short Subject |
Burning Down Tomorrow (Kit Thomas, producer;
Interscope Communications Inc.) |
|
Chimps: So Like Us (Karen Goodman and Kirk
Simon, producers; Simon and Goodman Picture Company) |
|
Days of Waiting (Steven Okazaki, producer;
Mouchette Films Production) |
|
Journey Into Life: The World of the Unborn
(Derek Bromhall, producer; ABC/Kane Productions
International, Inc.) |
|
Rose Kennedy: A Life to Remember (Sanders
and Mock Productions and American Film Foundation) |
| Feature |
American Dream (Barbara Kopple and Arthur
Cohn, producers; Cabin Creek Films) |
|
Berkeley in the Sixties (Mark Kitchell,
producer; Berkeley in the Sixties Production Partnership) |
|
Building Bombs (Mark Mori and Susan Robinson,
producers; Mori/Robinson Production) |
|
Forever Activists: Stories From the Veterans
of the Abraham Lincoln Brigade (Judith Montell,
producer; Judith Montell Production) |
|
Waldo Salt: A Screenwriter's Journey (Robert
Hillmann and Eugene Corr, producers; Waldo Productions,
Inc.) |
|
| Oscar a la mejor película extranjera |
Cyrano de Bergerac, France |
|
Journey of Hope, Switzerland |
|
Ju Dou, People's Republic of China |
|
The Nasty Girl, Germany |
|
Open Doors, Italy |
| Irving G. Thalberg Memorial Award |
David Brown and Richard D. Zanuck |
| Visual Effects |
Eric Brevig, Rob Bottin, Tim McGovern
and Alex Funke, Total Recall |
| Honorary Awards |
To Sophia Loren, one of the genuine treasures
of world cinema who, in a career rich with memorable performances,
has added permanent luster to our art form |
|
To Myrna Loy, in recognition of her extraordinary
qualities both on screen and off, with appreciation for
a lifetime's worth of indelible performances |
|
To Roderick T. Ryan, Don Trumbull and Geoffrey
H. Williamson in appreciation for outstanding service
and dedication in upholding the high standards of the
Academy of Motion Picture Arts and Sciences |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
