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| 1993 Oscars were held on March 21, 1994 at the Dorothy
Chandler Pavilion Host: Whoopi Goldberg
Prior the Schindler's List, the last black and
white Oscar a la mejor película Winner was 1960's The Apartment
|
| Picture |
The Fugitive, Arnold Kopelson, producer (Warner
Bros.) |
|
In the Name of the Father, Jim Sheridan, producer
(Universal) |
|
The Piano, Jan Chapman, producer (Miramax) |
|
The Remains of the Day, Mike Nichols, John Calley
and Ismail Merchant, producers (Columbia) |
|
Schindler's List, Steven Spielberg, Gerald
R. Molen and Branko Lustig, producers (Universal) |
| Oscar al mejor actor |
Daniel Day-Lewis, In the Name of the Father |
|
Laurence Fishburne, What's Love Got to Do With It |
|
Tom Hanks, Philadelphia |
|
Anthony Hopkins, The Remains of the Day |
|
Liam Neeson, Schindler's List |
| Oscar a la mejor actriz |
Angela Bassett, What's Love Got to Do With It |
|
Stockard Channing, Six Degrees of Separation |
|
Holly Hunter, The Piano |
|
Emma Thompson, The Remains of the Day |
|
Debra Winger, Shadowlands |
| Oscar al mejor actor de reparto |
Leonardo DiCaprio, What's Eating Gilbert Grape |
|
Ralph Fiennes, Schindler's List |
|
Tommy Lee Jones, The Fugitive |
|
John Malkovich, In the Line of Fire |
|
Pete Postlethwaite, In the Name of the Father |
| Oscar a la mejor actriz de reparto |
Holly Hunter, The Firm |
|
Anna Paquin, The Piano |
|
Rosie Perez, Fearless |
|
Winona Ryder, The Age of Innocence |
|
Emma Thompson, In the Name of the Father |
| Oscar al mejor director |
Robert Altman, Short Cuts |
|
Jane Campion, The Piano |
|
James Ivory, The Remains of the Day |
|
Jim Sheridan, In the Name of the Father |
|
Steven Spielberg, Schindler's List |
| Guión |
| Sreenplay Written Directly for the Screen |
Jane Campion, The Piano |
|
Nora Ephron, David S. Ward and Jeff Arch, screenplay;
Jeff Arch, story, Sleepless in Seattle |
|
Jeff Maguire, In the Line of Fire |
|
Ron Nyswaner, Philadelphia |
|
Gary Ross, Dave |
| Screenplay Based on Material Previously Produced
or Published |
Jay Cocks and Martin Scorsese, The Age of Innocence |
|
Terry George and Jim Sheridan, In the Name
of the Father |
|
Ruth Prawer Jhabvala, The Remains of the Day |
|
William Nicholson, Shadowlands |
|
Steven Zaillian, Schindler's List |
|
| Oscar a la mejor fotografía |
Gu Changwei, Farewell My Concubine |
|
Michael Chapman, The Fugitive |
|
Stuart Dryburgh, The Piano |
|
Conrad L. Hall, Searching for Bobby Fischer |
|
Janusz Kaminski, Schindler's List |
| Oscar a la mejor dirección de arte |
Ken Adam, Oscar a la mejor dirección de arte; Marvin March, set decoration,
Addams Family Values |
|
Luciana Arrighi, Oscar a la mejor dirección de arte; lan Whittaker, set decoration,
The Remains of the Day |
|
Dante Ferretti, Oscar a la mejor dirección de arte; Robert J. Franco, set
decoration, The Age of Innocence |
|
Allan Starski, Oscar a la mejor dirección de arte; Ewa Braun, set decoration,
Schindler's List |
|
Ben Van Os and Jan Roelfs, Oscar a la mejor dirección
de arte, Orlando |
| Sound |
Chris Carpenter, D. M. Hemphill, Bill W. Benton and
Lee Orloff, Geronimo: An American Legend |
|
Michael Minkler, Bob Beemer and Tim Cooney, Cliffhanger |
|
Donald O. Mitchell, Michael Herbick, Frank A. Monta�o
and Scott D. Smith, The Fugitive |
|
Andy Nelson, Steve Pederson, Scott Millan and Ron Judkins,
Schindler's List |
|
Gary Summers, Gary Rydstrom, Shawn Murphy and Ron
Judkins, Jurassic Park |
| Music |
| Song |
�Again,� Poetic Justice, Janet Jackson,
James Harris III and Terry Lewis, music and lyrics |
|
�The Day I Fall in Love,� Beethoven's 2nd,
Carole Bayer Sager, James Ingram and Clif Magness,
music and lyrics |
|
�Philadelphia,� Philadelphia, Neil Young,
music and lyrics |
|
�Streets of Philadelphia,� Philadelphia,
Bruce Springsteen, music and lyrics |
|
�A Wink and a Smile,� Sleepless in Seattle,
Marc Shaiman, music; Ramsey McLean, lyrics |
| Original Score |
Elmer Bernstein, The Age of Innocence |
|
Dave Grusin, The Firm |
|
James Newton Howard, The Fugitive |
|
Richard Robbins, The Remains of the Day |
|
John Williams, Schindler's List |
|
| Film Editing |
Anne V. Coates, In the Line of Fire |
|
Gerry Hambling, In the Name of the Father |
|
Veronika Jenet, The Piano |
|
Michael Kahn, Schindler's List |
|
Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu,
Richard Nord and Dov Hoenig, The Fugitive |
| Costume Design |
Jenny Beavan and John Bright, The Remains of the
Day |
|
Anna Biedrzycka-Sheppard, Schindler's List |
|
Janet Patterson, The Piano |
|
Gabriella Pescucci, The Age of Innocence |
|
Sandy Powell, Orlando |
| Makeup |
Greg Cannom, Ve Neill and Yolanda Toussieng, Mrs.
Doubtfire |
|
Carl Fullerton and Alan D'Angerio, Philadelphia |
|
Christina Smith, Matthew Mungle and Judy Alexander Cory,
Schindler's List |
| Visual Effects |
Pete Kozachik, Eric Leighton, Ariel Velasco Shaw and
Gordon Baker, The Nightmlare Before Christmas |
|
Neil Krepela, John Richardson, John Bruno and Pamela
Easley, Cliffhanger |
|
Dennis Muren, Stan Winston, Phil Tippett and Michael
Lantieri, Jurassic Park |
| Sound Effects Editing |
John Leveque and Bruce Stambler, The Fugitive |
|
Gary Rydstrom and Richard Hymns, Jurassic Park |
|
Wylie Stateman and Gregg Baxter, Cliffhanger |
| Short Films |
| Animation |
Blindscape (Stephen Palmer, producer; National
Film and Television School) |
|
The Mighty River (Fr�d�ric Back and Hubert
Tison, producers; Canadian Broadcasting Corporation/Soci�t�
Radio-Canada Production) |
|
Small Talk (Bob Godfrey and Kevin Baldwin,
producers; Bob Godfrey Films, Ltd.) |
|
The Village (Mark Baker, producer; Pizazz
Pictures Production) |
|
The Wrong Trousers (Nick Park, producer;
Aardman Animations Limited Production) |
| Live Action |
Black Rider (Schwarzfahrer) (Pepe Danquart,
producer; Trans-Film GmbH Production) |
|
Down on the Waterfront (Stacy Title and
Jonathan Penner, producers; Stacy Title/Jonathan
Penner Production) |
|
The Dutch Master (Susan Seidelman and Jonathan
Brett, producers; Regina Ziegler Film Production) |
|
Partners (Peter Weller and Jana Sue Memel,
producers; Chanticleer Films) |
|
The Screw (La Vis) (Didier Flamand, producer;
Perla Films Production) |
|
| Documentales |
| Short Subject |
Blood Ties: The Life and Work of Sally Mann
(Steven Cantor and Peter Spirer, producers; Moving
Target Production) |
|
Chicks in White Satin (Elaine Holliman
and Jason Schneider, producers; University of Southern
California School of Cinema/Television) |
|
Defending Our Lives (Margaret Lazarus
and Renner Wunderlich, producers; Cambridge
Documentales
Films Production) |
| Feature |
The Broadcast Tapes of Dr. Peter (David
Paperny and Arthur Ginsberg, producers; Canadian
Broadcasting Corporation/HBO Films Production) |
|
Children of Fate (Susan Todd and Andrew
Young, producers; Young/Friedson Production) |
|
For Better or for Worse (David Collier
and Betsy Thompson, producers; David Collier Production) |
|
I Am a Promise: The Children of Stanton
Elementary School (Susan Raymond and Alan Raymond,
Verit� Films Production) |
|
The War Room (D. A. Pennebaker and Chris
Hegedus, producers; R. J. Cutler/Wendy Ettinger/Frazer
Pennebaker Production) |
|
| Oscar a la mejor película extranjera |
Belle �poque, Spain |
|
Farewell My Concubine, Hong Kong |
|
Hedd Wyn, United Kingdom |
|
The Scent of Green Papaya, Vietnam |
|
The Wedding Banquet, Republic of China on Taiwan |
| Jean Hersholt Humanitarian Award |
Paul Newman |
| Honorary Awards |
To Deborah Kerr in appreciation for a full career's
worth of elegant and beautifully crafted performances |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
