|
 |
| 1994 Oscars were held at the Shrine Auditorium on March
27, 1995 Host: David Letterman
|
| Oscar a la mejor película |
Forrest Gump, Wendy Finerman, Steve Tisch
and Steve Starkey, producers (Paramount) |
|
Four Weddings and a Funeral, Duncan Kenworthy,
producer (Gramercy) |
|
Pulp Fiction, Lawrence Bender, producer (Miramax) |
|
Quiz Show, Robert Redford, Michael Jacobs, Julian
Krainin and Michael Nozik, producers (Buena Vista) |
|
The Shawshank Redemption, Niki Marvin, producer
(Columbia) |
| Oscar al mejor actor |
Morgan Freeman, The Shawshank Redemption |
|
Tom Hanks, Forrest Gump |
|
Nigel Hawthorne, The Madness of King George |
|
Paul Newman, Nobody's Fool |
|
John Travolta, Pulp Fiction |
| Oscar a la mejor actriz |
Jodie Foster, Nell |
|
Jessica Lange, Blue Sky |
|
Miranda Richardson, Tom and Viv |
|
Winona Ryder, Little Women |
|
Susan Sarandon, The Client |
| Oscar al mejor actor de reparto |
Samuel L. Jackson, Pulp Fiction |
|
Martin Landau, Ed Wood |
|
Chazz Palminteri, Bullets Over Broadway |
|
Paul Scofield, Quiz Show |
|
Gary Sinise, Forrest Gump |
| Oscar a la mejor actriz de reparto |
Rosemary Harris, Tom and Viv |
|
Helen Mirren, The Madness of King George |
|
Uma Thurman, Pulp Fiction |
|
Jennifer Tilly, Bullets Over Broadway |
|
Dianne Wiest, Bullets Over Broadway |
| Oscar al mejor director |
Woody Allen, Bullets Over Broadway |
|
Krzysztof Kieslowski, Red |
|
Robert Redford, Quiz Show |
|
Quentin Tarantino, Pulp Fiction |
|
Robert Zemeckis, Forrest Gump |
| Guión |
| Screenplay Written Directly for the Screen |
Woody Allen and Douglas McGrath, Bullets Over
Broadway |
|
Richard Curtis, Four Weddings and a Funeral |
|
Krzysztof Piesiewicz and Krzysztof Kieslowski,
Red |
|
Quentin Tarantino and Roger Avary, Pulp
Fiction |
|
Frances Walsh and Peter Jackson, Heavenly Creatures |
| Screenplay Based on Material Previously Produced
or Published |
Paul Attanasio, Quiz Show |
|
Alan Bennett, The Madness of King George |
|
Robert Benton, Nobody's Fool |
|
Frank Darabont, The Shawshank Redemption |
|
Eric Roth, Forrest Gump |
|
| Oscar a la mejor fotografía |
Don Burgess, Forrest Gump |
|
Roger Deakins, The Shawshank Redemption |
|
Owen Roizman, Wyatt Earp |
|
Piotr Sobocinski, Red |
|
John Toll, Legends of the Fall |
| Oscar a la mejor dirección de arte |
Ken Adam, Oscar a la mejor dirección de arte; Carolyn Scott, set decoration,
The Madness of King George |
|
Rick Carter, Oscar a la mejor dirección de arte; Nancy Haigh, set decoration,
Forrest Gump |
|
Dante Ferretti, Oscar a la mejor dirección de arte; Francesca Lo Schiavo,
set decoration, Interview With the Vampire |
|
Lilly Kilvert, Oscar a la mejor dirección de arte; Dorree Cooper, set decoration,
Legends of the Fall |
|
Santo Loquasto, Oscar a la mejor dirección de arte; Susan Bode, set decoration,
Bullets Over Broadway |
| Sound |
Gregg Landaker, Steve Maslow, Bob Beemer and David
R. B. MacMillan, Speed |
|
Robert J. Litt, Elliot Tyson, Michael Herbick and Willie
Burton, The Shawshank Redemption |
|
Paul Massey, David Campbell, Christopher David and Douglas
Ganton, Legends of the Fall |
|
Donald O. Mitchell, Michael Herbick, Frank A. Montano
and Arthur Rochester, Clear and Present Danger |
|
Randy Thom, Tom Johnson, Dennis Dands and William B.
Kaplan, Forrest Gump |
| Music |
| Song |
�Can You Feel the Love Tonight,� The Lion
King, Elton John, music; Tim Rice, lyrics |
|
�Circle of Life,� The Lion King, Elton
John, music; Tim Rice, lyrics |
|
�Hakuna Matata,� The Lion King, Elton John,
music; Tim Rice, lyrics |
|
�Look What Love Has Done,� Junior, Carol
Bayer Sager, James Newton Howard, James Ingram and
Patty Smyth, music and lyrics |
|
�Make Up Your Mind,� The Paper, Randy Newman,
music and lyrics |
| Original Score |
Elliot Goldenthal, Interview With the Vampire |
|
Thomas Newman, Little Women |
|
Thomas Newman, The Shawshank Redemption |
|
Alan Silvestri, Forrest Gump |
|
Hans Zimmer, The Lion King |
|
| Film Editing |
Richard Francis-Bruce, The Shawshank Redemption |
|
Frederick Marx, Steve James and Bill Haugse, Hoop
Dreams |
|
Sally Menke, Pulp Fiction |
|
Arthur Schmidt, Forrest Gump |
|
John Wright, Speed |
| Costume Design |
Colleen Atwood, Little Women |
|
Moidele Bickel, Queen Margot |
|
April Ferry, Maverick |
|
Lizzy Gardiner and Tim Chappel, The Adventures
of Priscilla, Queen of the Desert |
|
Jeffrey Kurland, Bullets Over Broadway |
| Makeup |
Rick Baker, Ve Neill and Yolanda Toussieng, Ed
Wood |
|
Daniel Parker, Paul Engelen and Carol Hemming, Mary
Shelley's Frankenstein |
|
Daniel C. Striepeke, Hallie D'Amore and Judith A. Cory,
Forrest Gump |
| Visual Effects |
John Bruno, Thomas L. Fisher, Jacques Stroweis and Patrick
McClung, True Lies |
|
Ken Ralston, George Murphy, Stephen Rosenbaum and
Allen Hall, Forrest Gump |
|
Scott Squires, Steve Williams, Tom Bertino and John
Farhat, The Mask |
| Sound Effects Editing |
Gloria S. Borders and Randy Thom, Forrest Gump |
|
Stephen Hunter Flick, Speed |
|
Bruce Stambler and John Leveque, Clear and Present
Danger |
| Short Films |
| Animation |
The Big Story (Tim Watts and David Stoten,
producers; Spitting Image Production) |
|
Bob's Birthday (Alison Snowden and David
Fine, producers; Channel Four/National Film Board
of Canada Production) |
|
The Janitor (Vanessa Schwartz, producer;
Vanessa Schwartz Production) |
|
The Monk and the Fish (Michael Dudok de
Wit, producer; Folimage Valence Production) |
|
Triangle (Erica Russell, producer; Gingco
Ltd. Production) |
| Live Action |
Franz Kafka's It's a Wonderful Life
(Peter Capaldi and Ruth Kenley-Letts, producers;
Conundrum Films Production) |
|
Kangaroo Court (Sean Astin and Christine
Astin, producers; Lava Entertainment Production) |
|
On Hope (JoBeth Williams and Michele McGuire,
producers; Chanticleer Films Production) |
|
Syrup (Paul Unwin and Nick Vivian, producers;
First Choice Production) |
|
Trevor (Peggy Rajski and Randy Stone,
producers; Rajski/Stone Production) |
|
| Documentales |
| Short Subject |
Blues Highway (Vince DiPersio and Bill
Guttentag, producers; Half Court Pictures, Ltd./National
Geographic Society Production) |
|
89MM od Europy (89MM From Europe) (Marcel
Lozinski, producer; Studio Filmowe �Kalejdoskop�/Telewizja
Polska Production) |
|
School for the Americas Assassins (Robert
Richter, producer; Richter Production) |
|
Straight From the Heart (Dee Mosbacher
and Frances Reid, producers; Woman Vision Production) |
|
A Time for Justice (Charles Guggenheim,
producer; Guggenheim Productions, Inc. Production) |
| Feature |
Complaints of a Dutiful Daughter (Deborah
Hoffmann, producer; D/D Production) |
|
D-Day Remembered (Charles Guggenheim, producer;
Guggenheim Productions, Inc. Production) |
|
Freedom on My Mind (Connie Field and Marilyn
Mulford, producers; Clarity Film Production) |
|
A Great Day in Harlem (Jean Bach, producer;
Jean Bach Production) |
|
Maya Lin: A Strong Clear Vision (Freida
Lee Mock and Terry Sanders, producers; American
Film Foundation/Sanders and Mock Production) |
|
| Oscar a la mejor película extranjera |
Before the Rain, The Former Yugoslav Republic
of Macedonia |
|
Burnt by the Sun, Russia |
|
Eat Drink Man Woman, Republic of China on Taiwan |
|
Farinelli: II Castrato, Belgium |
|
Strawberry and Chocolate, Cuba |
| Irving G. Thalberg Memorial Award |
Clint Eastwood for a consistently high quality
of motion picture production |
| Jean Hersholt Humanitarian Award |
Quincy Jones |
| Honorary Awards |
Michelangelo Antonioni for lifetime achievement |
Oscars: Grandes artistas y directores nunca
tuvieron su estatuilla
